Friday, December 21, 2018

All civilizations must die? (Part 2)

Link of 1st part: https://jbamit.blogspot.com/2018/11/all-societies-must-die-part-1.html

Eastern Islanders were famous for building giant stone statues called 'moai', largest of which was 32 feet tall. Archaeologists were quite certain about harmony among the islanders. They had chiefs, priests, and guilds of workers who fished, farmed, and made the moai together. There was certainly some level of sociopolitical consonance that was needed to carve almost a thousand statues. 


Islanders literally 'killed' themselves. They cut down almost all trees, rats did the rest by eating the seeds ushering to mass starvation & civil war. Arrival of Europeans was a mere formality of the Islanders' decimation.

So I have mentioned about the Mayans, Indus, Vikings, Eastern Islanders; everyone of them came under mother's (nature not Russia 😉) sword. Some words can be used to describe the whole scenario in brief; Civilization dies off mainly due to population rising, climate change due to temperature rising (Modern leaders are denying it though) and switching from high-impact resources i.e. oil to low impact resources i.e. solar energy. But i think some countries or societies are having near-death experience not due to the mentioned reasons, but for RELIGION & POLITICS.

Obviously Religion isn't or will be the cause of any feud among nations now or in the future, untrue explanations of religious views and superstitions regarding different religions will be. Religious clashes are of grave concern especially countries in Indian subcontinent. People can easily be f**ked over religion; as percentage of religiously illiterate people are quite high in the subcontinent. Moreover, being God-fearing, not God-loving, these people can easily be stultified by those to whom religion is nothing but a business.

I will try to write about religious feuds in future; because right now or for some months i have been triggered by a barbarous event fettered by POLITICS.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
I am quoting the "Sacred Games" here - "Drugs, guns, property sab chhota dhanda hain, asli dhanda hain politics." (drugs, guns and property are small time business. Real business is politics).  Considering it as a real business, the most real businessman right now is Prince MBS (at least he thinks he is.)

For almost three and a half years, Yemen has been latched with an uncontrollable war that led to death of 10,000+ people and pushed millions on the verge of famine. Political transition from authoritarian president, Ali Abdullah Saleh to his deputy, Abdrabbuh Mansour Hadi was expected to bring stability to Yemen which was quite preoccupied with militant attacks, food shortage, corruption etc. Situation got muddled when Houthi Shia Muslim rebel movement which targeted to put the incumbent president to exile abroad, took the control of capital Sanaa. Things took a new turn in 2015 when Saudi Arabia with eight other Sunni Arab states declared air strikes against the Houthis with an obvious raison d'ÃĒtre of restoring Hadi's government.

(Source: https://www.bbc.com/news/world-middle-east-44466574)

The war has become far more complex than a Saudi-Iran cold war, Sunni-Shia conflict; the Saudi-led coalition has been powered and weaponized by US, UK & France. Hadi's government has blamed Iran of smuggling them military arms, an accusation which Tehran has always denied.

All sides have been busy in fighting which led to severe humanitarian catastrophe; at least 8.4 million people are at risk of starvation and 22.2 million people - 75% of the population - in need of humanitarian assistance, according to the UN. Acute malnutrition is threatening the lives of almost 400,000 children under the age of five. 
 
(Source: https://www.aljazeera.com/news/2016/06/key-facts-war-yemen-160607112342462.html)


Most people have already fled internally in other states; some fled to other countries. Yemenis who haven't fled and who displaced internally - all are in need of food, shelter and healthcare. Aid organizations are at risk and facing hindrances to help the Yemenis. Sufficient food & medical supplies cannot reach to afflicted Yemenis due to seize of several cities by Houthis.





 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
In the next part, i will write about the history of Yemen before it got tarnished by the missiles of modern fighters.

(To be continued)

Saturday, November 24, 2018

All civilizations must die? (Part 1)

At the very first i will throw a question; are we all destined to kill ourselves? Sustainable civilization has been a myth; in the end all civilizations are doomed to kill themselves. This may be true for civilizations far beyond our own galaxy.

I think there's no rule of sustaining a civilization, we only have fate; fate to be doomed. All the prominent civilizations fell prey to biodiversity, environment disruptions, climate change, personal or ethnic greed, bureaucratic feud leading to war and to whole bunch of other reasons. All civilizations we can name or remember lasted only a few centuries before they got their doomsday triggered by mentioned events.

To exemplify, one civilization that comes first to my mind is "The Maya", arguably world's most advanced pre-Columbian civilization. Mayans are known for carving civilization into the rain-forests of southern Mexico and Central America, also for their hieroglyphic writing and calendar-making, mathematics & astronomy skills. Being in the peak during the so-called Classic period, from 250 A.D. to 900 A.D., the Mayans suddenly abandoned the cities complete with elaborate plazas, palaces, pyramid-temples and ceased with immense technological innovations.

Mayan Calendar
Different historians mentioned different reasons of mayan collapse i.e. drought, exacerbated by deforestation and soil erosion, corruption & warfare among the city-states, disruption of trade routes and others. Though collapsed, mayans are not dead really (no worries, they won't scare you as zombies 😄). They are with us through their research & innovation, unique cuisine, - one word "Impact". They are one who first organized ball game, made "hot chocolate" from the seeds of cacao (they didn't make M&Ms or Snickers though 😋, they used to drink the whole chocolate instead), built pyramids to reflect astronomical events, built glittering temples and most importantly, developed the concept of "Zero (0)".   

El Castillo aka Temple of Kukulkan

The Indus came and started inhabiting in the present-day India & Pakistan nearly about 8000 years ago. They occupied more areas than their better known contemporaries in Egypt and Mesopotamia. I don't know why - almost every civilization tried to develop its own (personal 😁) writing script; might not try other things first or at all. Indus did it too which is yet to be deciphered.

Indus Valley Civilization

Eventually the Indus valley or Harappan civilization went into free-fall. It was believed that Aryan invasion from the north was the reason but later it was found that mother nature played its role here too. Recent research found that monsoon cycle stopped for two centuries, making agriculture nearly impossible. Other factors, such as earthquakes or outbreaks of malaria or cholera, may have also played a role. An Indian period film named "Mohenjo Daro", written and directed by famous director Ashutosh Gowariker, released in 2016 delineating the Indus Valley civilization and the city Mohenjo Daro, its debacle and introduction of river "Ganga".

Greenland's Vikings, straight out of Icelandic saga, started civilization with just 25 boats. Being famous for man-slaughtering, Vikings colonized around Greenland, herded goats, sheep; hunted caribou (reindeer) & seals and built stone churches which can still be seen today.

According to archaeologists, onset of little ice age in the 14th century was the main culprit for the deathblow upon Vikings. Lush & fecund vikings lands were devastated and routes in and out of Greenland were clogged up; hence crumbled the Greenlanders' export-import business. Some starved to death, some succumbed to the black plague or were exterminated by the Inuits (Inuits are a group of culturally similar indigenous people inhabiting the Arctic regions of Greenland, Canada & Alaska); others fled to Iceland or Scandinavia.

Norse mythological characters
Some of us may have watched or heard about the series Vikings; a historical drama television series written and created by Michael Hirst for the History channel. It is inspired by the sagas of Viking Ragnar Lothbrok, one of the best-known legendary Norse heroes and notorious as the scourge of England and France. Travis Fimmel is brilliant in the role of Ragnar and Katheryn Winnick is outstanding in the role of Lagertha, a viking shieldmaiden (Female warrior in Scandinavian folklore and mythology) & Ragnar's first wife and obviously - gorgeous as always.

(To be continued)

Thursday, November 8, 2018

Liquor Business in Bangladesh - A License to lie

āĻŦাāϰে āĻ—েāϞে āϝেāĻŽāύ āφāϞো-āφঁāϧাāϰিāϰ āĻ–েāϞা, āϧোঁ⧟া-āϧোঁ⧟া āĻ­াāĻŦ, āϏāĻŦাāϰ āĻ•িāĻ›ুāĻ•্āώāĻŖেāϰ āϜāύ্āϝ āĻŦাāϏ্āϤāĻŦāϤা āĻ­ুāϞে āϝাāĻ“ā§Ÿাāϰ āĻŦ্āϝāϰ্āĻĨ āϚেāώ্āϟা āϚোāĻ–ে āĻĒ⧜ে, āĻĒাāύী⧟āĻŦ্āϝāĻŦāϏাāϰ āĻĢ্āϝাāĻ•্āϟāĻ—ুāϞোāĻ“ āϤেāĻŽāύি āϧোঁ⧟াāĻļাāϝুāĻ•্āϤ। āĻŦাāϰāĻ—ুāϞোāϰ āϰāĻŽāϰāĻŽা āĻ…āĻŦāϏ্āĻĨা āĻĻেāĻ–āϞে āĻŦোāĻাāϰ āωāĻĒা⧟ āύেāχ āϝে āĻĻেāĻļেāϰ āφāχāύে āĻĒাāύী⧟ āφāĻŽāĻĻাāύি āĻ“ āĻŦিāĻ•্āϰিāϰ āωāĻĒāϰ āϰেāϏ্āϟ্āϰিāĻ•āĻļāύ āφāĻ›ে। āĻ•ā§ŸেāĻ• āĻĒāĻĻেāϰ āĻŦি⧟াāϰ, āĻĻাāĻŽী āĻšুāχāϏ্āĻ•ি, āĻ“ā§Ÿাāχāύ  - Glenfiddich, Glenlivet, Blue Label, Jack Daniel's (āφāϰ āϝাāχ āĻšোāĻ• āύাāĻŽāĻ—ুāϞা āĻ…āύেāĻ• āĻ•্āϝাāϚি 😜) āφāϰো āĻ•āϤ āĻ•ি। āϏāĻŽāϏ্āϝা āĻāĻ•āϟাāχ - āĻāĻ—ুāϞা āĻ…āĻĢিāϏি⧟াāϞি āφāĻŽāĻĻাāύি āĻ…āĻĨāĻŦা āĻ•েāύা āĻšā§Ÿāύা। 

āĻĻেāĻļে ā§Ŧāϟি āĻŦেāϏāϰāĻ•াāϰি āĻāĻŦং ⧍āϟি āϰাāώ্āϟ্āϰ āĻĒāϰিāϚাāϞিāϤ āĻĄিāĻĒ্āϞোāĻŽেāϟিāĻ• āĻŦāύ্āĻĄেāĻĄ āĻ“ā§Ÿ্āϝাāϰāĻšাāωāϜ (Diplomatic Bonded Warehouse) āφāĻ›ে āϝাāϰা āĻļুāϞ্āĻ•āĻŽুāĻ•্āϤ āĻĒাāύী⧟ (Liquor), āϏিāĻ—াāϰে্āϟ āφāĻŽāĻĻাāύি āĻ•āϰāϤে āĻĒাāϰে। āĻ…āύ্āϝ āĻ…āύেāĻ• āĻĻেāĻļেāϰ āĻŽāϤ āφāĻŽাāĻĻেāϰ āĻĻেāĻļেāĻ“ āĻĄিāĻĒ্āϞোāĻŽ্āϝাāϟāĻĻেāϰ āĻļুāϞ্āĻ•āĻŽুāĻ•্āϤ āφāĻŽāĻĻাāύিāϰ āϏুāĻŦিāϧা āĻĻে⧟া āĻšā§ŸেāĻ›ে। āĻĄিāĻĒ্āϞোāĻŽেāϟāĻĻেāϰ āĻ•াāĻ›ে āϟ্āϝাāĻ•্āϏ āĻāĻ•্āϏেāĻŽ্āĻĒāĻļāύ āϏাāϰ্āϟিāĻĢিāĻ•েāϟ (Tax Exemption Certificate) āĻĨাāĻ•ে āϝা āĻĻি⧟ে āϤাāϰা āĻāϏāĻŦ āĻ•িāύāϤে āĻĒাāϰেāύ। āĻŦাāχāϰেāϰ āĻĒāϰ্āϝāϟāĻ•āϰাāĻ“ āĻ•িāύāϤে āĻĒাāϰেāύ, āϤāĻŦে āϤাāĻĻেāϰ āĻļুāϞ্āĻ• āĻĻিāϤে āĻšā§Ÿ। āφāχāύāĻ—āϤāĻ­াāĻŦে āĻāϏāĻŦ āĻ“ā§Ÿ্āϝাāϰāĻšাāωāϜ āĻĨেāĻ•ে āϜিāύিāϏāĻĒāϤ্āϰ āĻ•েāύা āĻāĻŦং āĻšাāϤে āĻĒাāĻ“ā§Ÿা āĻŦেāĻļ āϏāĻŽā§ŸāϏাāĻĒেāĻ•্āώ āĻāĻŦং āĻš্āϝাāĻĒাāϰ āĻŦ্āϝাāĻĒাāϰ। āĻĻেāĻļেāϰ āĻĒাāύী⧟āĻŦ্āϝāĻŦāϏা āĻŦ্āϞ্āϝাāĻ• āĻŽাāϰ্āĻ•েāϟে āϚāϞে āϝাāĻ“ā§Ÿাāϰ āϏাāĻĨে āĻ“ā§Ÿ্āϝাāϰāĻšাāωāϜāĻ—ুāϞোāϰ āϜ⧜িāϤ āĻĨাāĻ•াāϰ āĻ…āĻ­িāϝোāĻ—āĻ“ āĻĒাāĻ“ā§Ÿা āĻ—ি⧟েāĻ›ে। āĻļুāϞ্āĻ•āĻŽুāĻ•্āϤ āφāĻŽāĻĻাāύি/āĻ•্āϰ⧟েāϰ āϏুāĻŦিāϧাāϰ āĻ…āĻĒāĻŦ্āϝāĻŦāĻšাāϰ āĻāĻŦং āϏ্āĻŽাāĻ—āϞিং - āĻāχ āĻĻুāχ āωāĻĒা⧟ে āĻĻেāĻļে āĻŽāĻĻ āφāĻŽāĻĻাāύি āĻ“ āĻŦিāĻ•্āϰি āĻšāϚ্āĻ›ে। āĻŽāĻĻেāϰ āωāĻĒāϰ āϟ্āϝাāĻ•্āϏ ā§Ŧā§Ļā§Ģ% - āĻāϟা āĻĻি⧟ে āϏāϰāĻ•াāϰেāϰ āĻ•োāύ āĻ†ā§Ÿ āĻšāϚ্āĻ›েāύা āφāϰ āĻŽāĻĻāĻŦিāĻ•্āϰিāĻ“ āĻ•āĻŽāĻ›েāύা āĻ•াāϰāĻŖ āĻĒ্āϰা⧟ āĻĒুāϰা āĻŦ্āϝāĻŦāϏাāϟাāχ āĻ…āĻŦৈāϧ āωāĻĒা⧟ে āĻšāϚ্āĻ›ে।

āύাāϰ্āĻ•োāϟিāĻ•্āϏ āĻĄিāĻĒাāϰ্āϟāĻŽেāύ্āϟ ⧍ā§Ļā§§ā§Ŧ āϏাāϞে āϰাāϜāϧাāύীāϰ ā§Ēāϟি āĻ•্āϞাāĻŦে āĻ āĻŦ্āϝাāĻĒাāϰে āϜিāϜ্āĻžাāϏাāĻŦাāĻĻ āĻ•āϰে। āϤাāĻĻেāϰ āĻŽāĻĻ āφāĻŽāĻĻাāύিāϰ āĻ•োāύ āϰেāĻ•āϰ্āĻĄ āĻĒাāĻ“ā§Ÿা āϝা⧟āύি; āĻ•াāϰো āĻ•াāϰো āφāĻŽāĻĻাāύিāϰ āϞাāχāϏেāύ্āϏāĻ“ āύাāχ। āĻĻেāĻļেāϰ āĻāĻ•āĻŽাāϤ্āϰ āĻ…āĻĢিāϏি⧟াāϞ āĻĒাāύীāϝ় āφāĻŽāĻĻাāύিāĻ•াāϰāĻ• āĻ“ āĻŦিāĻ•্āϰেāϤা āĻĒāϰ্āϝāϟāύ āĻ•āϰ্āĻĒোāϰেāĻļāύ; āϤাāĻĻেāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻ•েāύাāϰ āϏāϰ্āĻŦāĻļেāώ āϰেāĻ•āϰ্āĻĄ ā§Ē-ā§Ģ āĻŦāĻ›āϰ āφāĻ—েāϰ। ā§Ēāϟি āĻ•্āϞাāĻŦেāϰ āĻŽাāϤ্āϰ āĻāĻ•āϟি āϜিāϜ্āĻžাāϏাāĻŦাāĻĻেāϰ āϜāĻŦাāĻŦ āĻĻি⧟েāĻ›িāϞ āϝে āĻ•্āϞাāĻŦেāϰ āĻŦিāĻĻেāĻļী āϏāĻĻāϏ্āϝāϰা āϤাāĻĻেāϰ āύিāϜেāĻĻেāϰ āĻĄ্āϰিংāĻ•্āϏ āύিāϜেāϰা āφāύে। āĻāĻ›া⧜া āĻ•্āϞাāĻŦ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āĻ•েāϰু āĻāύ্āĻĄ āĻ•ো āĻĨেāĻ•ে āĻĄ্āϰিংāĻ•্āϏ āĻ•িāύাāϰ āϰেāĻ•āϰ্āĻĄ āĻĻেāĻ–া⧟, āϝেāϟা āφāĻŦাāϰ āϤাāĻĻেāϰ āĻŦাāϰ্āώিāĻ• āϰিāĻĒোāϰ্āϟেāϰ āĻšিāϏাāĻŦেāϰ āϏাāĻĨে āĻŽিāϞেāύা  (Carew & Co [āĻ•েāϰু āĻāύ্āĻĄ āĻ•োং] is the only state-owned liquor producer and exporter of Bangladesh)। āĻŦāϞাāχ āĻŦাāĻšুāϞ্āϝ āĻāϏāĻŦ āĻŦাāϰ āĻŦা āĻ•্āϞাāĻŦেāϰ āĻŦাāϰ্āώিāĻ• āϰিāĻĒোāϰ্āϟে āĻ āϝāϤ āϧāϰāĻŖেāϰ āϧাāĻĒ্āĻĒাāĻŦাāϜি āϏāĻŽ্āĻ­āĻŦ āϏāĻŦāχ āĻ•āϰা āĻšā§Ÿ।

āϏ্āĻŽাāĻ—্āϞিং āĻāϰ āĻŽাāϧ্āϝāĻŽে āĻŽোāϟাāĻŽুāϟি āϏāĻšāϜেāχ āĻĒাāύী⧟, āϏিāĻ—াāϰেāϟ āχāϤ্āϝাāĻĻি āĻĻেāĻļে āφāϏāĻ›ে; āϝেāϟাāĻ•ে āĻŦāϞে Import through misdeclaration। Capital goods āĻŦা āĻ…āĻ­োāĻ—্āϝ āĻĒāĻŖ্āϝেāϰ āύাāĻŽে āĻĻেāĻļেāϰ āĻ•াāϏ্āϟāĻŽāϏ āĻšাāωāϜāĻ—ুāϞোāϤে āĻŽāĻĻ āφāϏāĻ›ে; āĻĢাঁāĻ•āĻĢোāĻ•āϰ āĻĻি⧟ে āĻ›া⧜াāĻ“ āĻĒে⧟ে āϝাāϚ্āĻ›ে। āĻ•াāϏ্āϟāĻŽāϏেāϰ āϚোāĻ– āĻā§œাāύোāϰ āϜāύ্āϝ āĻŽāĻĻ āĻŦāĻšāύāĻ•াāϰী āĻ­্āϝাāϏেāϞāĻ—ুāϞোāĻ•ে āϰাāϤেāϰ āĻŦেāϞা āφāύāϞোāĻĄ āĻ•āϰা āĻšā§Ÿ, āϤাāϰāĻĒāϰ āύৌāĻĒāĻĨে āϏāϰি⧟ে āĻĢেāϞা āĻšā§Ÿ āϰাāϤাāϰাāϤি। 

āĻ…āύেāĻ•েāχ āĻšā§ŸāϤো āϜাāύেāύ, āĻŽāĻĻ āĻŦেāϚাāϰ āϜāύ্āϝ āĻļুāϧু āĻŦাāϰ, āĻšোāϟেāϞ āĻŦা āĻ•্āϞাāĻŦāĻ—ুāϞোāϰāχ āϞাāχāϏেāύ্āϏ āĻĨাāĻ•া āϞাāĻ—ে āϤা āύা, āĻŽāĻĻ āĻ–াāĻ“ā§Ÿাāϰ āϜāύ্āϝ āφāĻĒāύাāϰ āĻ•াāĻ›েāĻ“ āϞাāχāϏেāύ্āϏ āĻĨাāĻ•া āϞাāĻ—āĻŦে। āϞাāχāϏেāύ্āϏ āĻŦা āϏাāϰ্āϟিāĻĢিāĻ•েāϟāϟা⧟ āĻāϟাāχ āĻŦāϞা āĻĨাāĻ•ে āϝে āφāĻĒāύাāϰ āĻāĻŽāύ āĻ•োāύ āĻ…āϏুāĻ– āφāĻ›ে āĻ•িāύা āϝেāϟাāϰ āϜāύ্āϝ āφāĻĒāύাāϰ āĻŽāĻĻ āĻ–াāĻ“ā§Ÿা āĻĻāϰāĻ•াāϰ। āĻāϟা āφāϏāϞে ⧧⧝ā§Ģā§Ļ āϏাāϞেāϰ āĻāĻ•āϟা āφāχāύ āϝেāϟা⧟ āĻŦāϞা āφāĻ›ে, A person can possess and consume liquor after a government doctor certifies that the person needs to consume liquor on “medical grounds”। āĻĒুāϞিāĻļি āĻšā§Ÿāϰাāύি āĻā§œাāύোāϰ āϜāύ্āϝ āĻŽাāϤ্āϰ ⧍ā§Ļā§Ļā§Ļ āϟাāĻ•া āĻ–āϰāϚ āĻ•āϰে āĻ…āύেāĻ•ে āϝে āύিāϜেāϰ āĻĒāĻ›āύ্āĻĻāĻŽāϤ medical ground āĻŦাāύি⧟ে āύিāϚ্āĻ›ে āϏেāϟা āφāϰ āĻŦāϞাāϰ āĻ…āĻĒেāĻ•্āώা āϰাāĻ–েāύা 😝।

āĻ•āĻĨা āĻšāϞ āĻĒ্āϰāϏেāϏ āĻĢāϞো āĻ•āϰে āĻ•ি āĻŦাāϰ, āĻ•্āϞাāĻŦ āĻŦা āĻšোāϟেāϞāĻ—ুāϞোāϤে āĻĒাāύী⧟, āϏিāĻ—াāϰেāϟ āχāϤ্āϝাāĻĻি āϏাāĻĒ্āϞাāχ āĻĻে⧟া āĻāĻ•েāĻŦাāϰেāχ āĻ…āϏāĻŽ্āĻ­āĻŦ? āωāϤ্āϤāϰঃ āύা, āĻ…āϏāĻŽ্āĻ­āĻŦ āύা। āĻ•িāύ্āϤু āĻĒ্āϰāϏেāϏ āĻĢāϞো āĻ•āϰে āϜিāύিāϏāĻĒাāϤি āϚে⧟ে āϚিāĻ ি āĻĻিāϞে ā§Ģ-ā§Ŧ āĻŽাāϏ āĻĒāϰে āĻŽাāϞ āφāϏে। āĻĒ্āϰāĻ•্āϰি⧟াāϰ āĻĻীāϰ্āϘāϏূāϤ্āϰিāϤা āφāϰ ā§Ŧā§Ļā§Ģ% āϟ্āϝাāĻ•্āϏ āĻ•āĻŽা⧟ āĻĻিāϞে āĻŦ্āϞ্āϝাāĻ• āĻŽাāϰ্āĻ•েāϟেāϰ āϞাāĻ—াāĻŽ āĻ…āύেāĻ•াংāĻļে āϟেāύে āϧāϰা āϝেāϤ।

Source: The Daily Star

Friday, October 26, 2018

Sunk Cost Fallacy: When to fold

āύীāϞāĻ•্āώেāϤ āϝাāĻ“ā§Ÿাāϰ āύি⧟āϤ āĻ•āϰে āĻŦেāϰ āĻšāχāĻ›েāύ; āĻšāĻ াāϤ āĻŽāύে āĻĒ⧜āϞো, "āϧুāϰু āφāϜāĻ•েāϤো āĻŽāĻ™্āĻ—āϞāĻŦাāϰ"। āφāĻļেāĻĒাāĻļে āĻāĻŽāύ āĻ•োāύ āĻĻোāĻ•াāύ āύাāχ āϝে āφāĻĒāύি āφāĻĒāύাāϰ āĻ•াāĻ™্āĻ•্āώিāϤ āĻŦāχāϟা āĻŦা āĻŦāχāĻ—ুāϞা āĻ•িāύāĻŦেāύ। āϤো āĻāĻ–āύ āĻ•ি āĻ•āϰāĻŦেāύ āφāĻĒāύি; āĻŦাāϏা⧟ āĻĢিāϰে āϝাāĻŦেāύ āύাāĻ•ি āϝেāĻšেāϤু āφāĻĒāύি āĻ•িāĻ›ু āϏāĻŽā§Ÿ āύāώ্āϟ āĻ•āϰে āĻĢেāϞেāĻ›েāύ āφāϰো āĻ•িāĻ›ুāϟা āĻ—ি⧟ে āϜাāϰ্āύি āϟু āύীāϞāĻ•্āώেāϤ āĻļেāώ āĻ•āϰāĻŦেāύ? 

āĻĻ্āĻŦিāϤী⧟ āϚিāύ্āϤাāϟা āϝে āĻ–ুāĻŦ āĻāĻ•āϟা āĻšেāϞāĻĻি āϚিāύ্āϤা āύ⧟, āϏেāϟা āύিāĻļ্āϚ⧟ āĻŦāϞে āĻĻে⧟া āϞাāĻ—āĻŦেāύা। āύীāϞāĻ•্āώেāϤেāϰ āωāĻĻাāĻšāϰāĻŖ āĻŦাāĻĻ āĻĻেāύ, āĻāĻ•āϟা āĻŽুāĻ­ি āĻļুāϰু āĻ•āϰāϞেāύ, ā§§ā§Ļ āĻŽিāύিāϟ āĻĒāϰ āĻĻেāĻ–েāχ āĻŦুāĻāϞেāύ āĻ­ুāϞ āĻ•āχāϰাāϞāĻ›েāύ āĻ•িāύ্āϤু āϚিāύ্āϤা āĻ•āϰāϞেāύ āĻļুāϰু āϝāĻ–āύ āĻ•āϰāĻ›ি āĻļেāώ āĻ•āϰেāχ āωāĻ ি। āĻ•োāύ āĻāĻ•āϟা āϏিāϰিāϜ āĻĻেāĻ–া āĻļুāϰু āĻ•āϰāϞেāύ, āĻĒ্āϰāĻĨāĻŽ āϏিāϜāύ āĻ­াāϞ, āĻĻ্āĻŦিāϤী⧟ āϏিāϜāύ āĻ–ুāĻŦ āĻāĻ•āϟা āϜāĻŽāϞোāύা āϤাāϰāĻĒāϰো āĻĒāϰেāϰ āϏিāϜāύ āĻĻেāĻ–ে āĻĢেāϞি āĻāχ āϚিāύ্āϤা āĻ•āϰে āϝে āĻĻেāĻ–ি ā§Š āύং āϏিāϜāύ āĻĨেāĻ•ে āĻŽāύে āĻšā§Ÿ āĻ­াāϞ āĻšāĻŦে। āĻāĻ­াāĻŦেāχ āφāĻŽāϰা āĻ…āύেāĻ• āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āϏিāĻĻ্āϧাāύ্āϤ āύিāχ, āĻŦিāĻļেāώ āĻ•āϰে āϝেāĻ–াāύে āĻ…āϰ্āĻĨ āϜ⧜িāϤ। āĻāĻ•āϜāύ āĻ—্āϝাāĻŽ্āĻŦāϞাāϰ āĻāϟাāĻ•ে āĻŦāϞāĻŦে "Chasing the losses"। āĻŦ্āϰিāϟিāĻļ āĻĒ্āϰāĻŦাāĻĻ āφāĻ›ে, "Don't throw good money after bad"। āχāĻ•োāύāĻŽিāϏ্āϟāϰা āĻāϟাāĻ•ে āĻŦāϞেāύ Sunk Cost Fallacy. āϏāĻŦ āĻ•্āώেāϤ্āϰে āύা āĻšāϞেāĻ“ āĻ•িāĻ›ু āĻ•িāĻ›ু āĻ•্āώেāϤ্āϰে āφāĻŽāϰা āϏāĻŦাāχ āĻāχ Fallacyāϰ āĻļিāĻ•াāϰ āĻšāχ। āĻŦ্āϝাāĻĒাāϰāĻ—ুāϞাāĻ•ে āĻāĻ•āϟু āĻŦ⧜ āĻ•āϰে āĻĻেāĻ–āϞে āĻĻুāχāϟা āϜিāύিāϏ āĻŦেāϰি⧟ে āφāϏে; ā§§) Optimism ⧍) Aversion to Failure। āĻāχ āĻĻুāχāϟা āϜিāύিāϏ āφāĻŽাāĻĻেāϰ āϞāϏ āύি⧟ে āĻŦেāϰ āĻšāχāϤে āĻŦাāϧা āĻĻে⧟।

A Winning Hand

āĻĒোāĻ•াāϰ āĻ–েāϞা⧟ āĻ—্āϝাāĻŽ্āĻŦāϞাāϰ āĻŦা āϜু⧟া⧜িāĻĻেāϰ āĻŽāϤ āϟ্āϰেāĻĄাāϰāϰাāĻ“ Sunk Cost Fallacyāϰ āĻĢাঁāĻĻে āĻĒ⧜āϞে āωāχāύিং āĻš্āϝাāύ্āĻĄ āĻĒাāĻ“ā§Ÿাāϰ āĻ­াāύ āĻ•āϰে; āĻŦ্āϞাāĻĢ āĻĻিāϤে āϚা⧟ āĻāĻŦং āύিāϜেāϰ āϞāϏ āĻĒāϜিāĻļāύ āϰিāĻ•াāĻ­াāϰ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰে। āĻāχ āĻĒ্āϰāϏāĻ™্āĻ—ে Barings Bankāϰ Nick Leeson āĻāϰ āĻ•āĻĨা āωāϞ্āϞেāĻ– āĻ•āϰা āϝা⧟। Nick Leeson āĻ›িāϞেāύ āĻāĻ•āϜāύ speculative trader, āĻŽাāύে āϝাāϰা āĻĒāĻŖ্āϝেāϰ āĻĻাāĻŽেāϰ āĻĢ্āϞাāĻ•āϚু⧟েāĻļāύেāϰ āωāĻĒāϰ āĻ­িāϤ্āϤি āĻ•āϰে āϟ্āϰেāĻĄিং āĻ•āϰে। (Speculation involves trading a financial instrument involving high risk, in expectation of significant returns. The motive is to take maximum advantage from fluctuations in the market. Speculators are prevalent in the markets where price movements of securities are highly frequent and volatile.)

āĻ•্āϝাāϰি⧟াāϰেāϰ āĻļুāϰুāϰ āĻĻিāĻ•েāχ Leeson āĻ…āύেāĻ•āĻ—ুāϞা āϏাāĻ•āϏেāϏ্āĻĢুāϞ āϟ্āϰেāĻĄিং āĻ•āϰা⧟ āĻŦ্āϝাāĻ™্āĻ• āĻŽ্āϝাāύেāϜāĻŽেāύ্āϟ āϤাāĻ•ে āύিāϜেāϰ āĻŽāϤ āϟ্āϰেāĻĄ āĻ•āϰাāϰ āϏুāϝোāĻ— āĻ•āϰে āĻĻে⧟, āϝাāϰ āĻĒুāϰো āĻĢা⧟āĻĻা āϤুāϞেāύ āϤিāύি āĻĢāϞে; āĻ‰ā§œাāϧু⧜া āϟ্āϰেāĻĄিং āĻ•āϰেāĻ“ āϰিāĻĒোāϰ্āϟ āĻ•āϰāϤেāύāύা āĻŦা āĻ•āϰা āϞাāĻ—āϤোāύা। ⧧⧝⧝ā§Ģ āĻāϰ āĻļেāώ āĻĻিāĻ•ে Leeson āϤাāϰ 'āĻŽিāĻĄাāϏ āϟাāϚ' āĻšাāϰা⧟ āĻĢেāϞেāύ āĻāĻŦং āϟ্āϰেāĻĄিং āĻ āĻŦ⧜ āϞāϏেāϰ āϏāĻŽ্āĻŽুāĻ–ীāύ āĻšāύ। āϞāϏেāϰ āĻ•āĻĨা āϤিāύি āĻ—োāĻĒāύ āϰাāĻ–āϤে āĻĨাāĻ•েāύ āĻāĻŦং āϜাāĻĒাāύে āĻ•োāĻŦে āĻļāĻšāϰে āĻŦ⧜ āϧāϰāĻŖেāϰ āĻ­ূāĻŽিāĻ•āĻŽ্āĻĒেāϰ āϏāĻŽā§Ÿ āϟ্āϰেāĻĄিং āĻ āĻ­ুāϞ āĻĒāϜিāĻļāύ āύি⧟ে Leeson āϏāĻŦāϚে āĻŦেāĻļি āϞāϏ āĻ–াāύ āϝা āωāύি āĻĒুāώি⧟ে āωāĻ āϤে āĻĒাāϰেāύāύাāχ। āĻĢāϞāϏ্āĻŦāϰূāĻĒ Barings Bank ā§§ āĻŦিāϞি⧟āύ āĻĄāϞাāϰেāϰ āĻŦেāĻļি āϞāϏ āύি⧟ে āĻĻেāωāϞি⧟া āĻšā§Ÿে āϝা⧟।

Leeson āϏিāĻ™্āĻ—াāĻĒুāϰ āϜেāϞে āĻŦāϏে Rogue Trader āύাāĻŽে āĻāĻ•āϟি āĻŦāχ āϞেāĻ–েāύ। āĻāĻ•āχ āύাāĻŽে ⧧⧝⧝⧝ āϏাāϞে āĻŽুāĻ­িāĻ“ āĻŦেāϰ āĻšā§ŸেāĻ›ে āϝেāϟা⧟ āĻ…āĻ­িāύ⧟ āĻ•āϰেāύ Star Wars āĻāϰ Obi-Wan āĻ–্āϝাāϤ Ewan Mcgregor ।


Political Overspend

āĻŦিāĻ­িāύ্āύ āĻĻেāĻļে āĻŦিāĻļেāώ āĻ•āϰে āχāϞেāĻ•āĻļāύেāϰ āφāĻ—ে āĻĒāϞিāϟিāĻļি⧟াāύāĻĻেāϰ āĻ•োāϟি āĻ•োāϟি āĻ…āϰ্āĻĨ āĻŦ্āϝ⧟ āĻ•āϰāϤে āĻĻেāĻ–া āϝা⧟। āĻāĻ›া⧜াāĻ“ āĻŦিāĻ­িāύ্āύ āϏāĻŽā§Ÿে āϰাāϜāύীāϤিāϰ āĻĒāϟ āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āĻ•াāϰāĻŖে āĻĻেāĻļ āĻŦা āϰাāϜāύীāϤিāϰ āϏ্āĻŦাāϰ্āĻĨে āύে⧟া āϏিāĻĻ্āϧাāύ্āϤāĻ—ুāϞো āĻ…āύেāĻ• āĻŦ্āϝ⧟āĻŦāĻšুāϞ āĻšā§Ÿ। āϝেāĻŽāύ āĻŦ্āϰিāϟেāύ āĻŦা āϜাāĻĒাāύে infrastructural spending āĻ…āύেāĻ• āĻŦেāĻļি āĻšā§Ÿ। āχāωāĻāϏāϤে āϝেāĻŽāύ prison infrastructure spending āĻ…āύেāĻ• āĻŦেāĻļি (āĻāϤ āĻāϤ āφāϜাāχāϰা āϟিāĻ­ি āϏিāϰিāϜāϤো āĻāχāϏāĻŦ āϧāϰাāϧāϰি āύি⧟েāχ āĻŦাāύাāύো 😋 )। āχāωāϰোāĻĒেāϰ āĻĻেāĻļāĻ—ুāϞা āϤাāĻĻেāϰ āϰেāϞāĻ“ā§Ÿে āύেāϟāĻ“ā§Ÿাāϰ্āĻ• āωāύ্āύ⧟āύে āĻ…āύেāĻ• āĻŦেāĻļি āĻ–āϰāϚ āĻ•āϰে।

Avoiding Sunk Cost pitfalls

āϏাāχāĻ•োāϞāϜিāϏ্āϟ āĻāĻŦং āĻ—āĻŦেāώāĻ• Jim Everett āĻāχ āĻĒ্āϰāϏāĻ™্āĻ—ে āĻŦāϞেāύ, "We are susceptible to these biases. But often we can partially offset them by taking a step back and thinking through the alternatives. Always ask yourself, what would i gain or lose if i stuck with this option and what would i gain or lose if i switched."

āϏোāϜা āĻ•āĻĨা āĻšāϞ āĻāĻ•āϟা āϰি⧟েāϞিāϟি āϚেāĻ• āĻĻে⧟া āϝেāϤে āĻĒাāϰে; āϝেāϏāĻŦ āϧাāϰাāĻŦাāĻšিāĻ• āϏিāĻĻ্āϧাāύ্āϤāĻ—ুāϞোāϰ āĻ•াāϰāĻŖে āĻŦāϰ্āϤāĻŽাāύ āĻĒāϰিāϏ্āĻĨিāϤি āϤৈāϰি āĻšā§ŸেāĻ›ে, āϏিāĻĻ্āϧাāύ্āϤāĻ—ুāϞো āĻ…āύ্āϝāϰāĻ•āĻŽ āύিāϞে āĻ•ি āĻšāϤে āĻĒাāϰāϤো। āĻŦ্āϝাāĻĒাāϰāϟা āĻ…āύেāĻ•āϟা Infinity War āĻŽুāĻ­িāϤে Dr. Strange āĻāϰ ā§§ā§Ē āĻŽিāϞি⧟āύ āϏিāϚু⧟েāĻļāύ āĻĻেāĻ–াāϰ āĻŽāϤ āĻ•্āϰেāϜি āύা āĻšāϞেāĻ“ āĻ•িāĻ›ুāϟা āĻŽিāϞে। āĻ…āĻĨāĻŦা āĻāĻ•āϟা āϏিāĻŽ্āĻĒāϞ āĻĒ্āϰāĻļ্āύেāϰ āωāϤ্āϤāϰ āĻ–োঁāϜা; If presented with the same choice again, would i make the same decision? If not - why not?

āφāϞ্āϟিāĻŽেāϟāϞি āϏāĻŦāĻ•িāĻ›ু āϘুāϰেāĻĢিāϰে āĻĒোāĻ•াāϰ āĻ–েāϞাāϰ āϏেāχ āĻ…āϞিāĻ–িāϤ āύি⧟āĻŽāϟাāϰ āĻĻিāĻ•েāχ āĻুঁāĻ•ে; Any good poker player knows when to fold.



Wednesday, October 17, 2018

āĻ­াāĻ“ā§ŸাāϞ āϏāύ্āύ্āϝাāϏী āϰাāϜা - The King who lived two lives

āĻŦāχ āĻĒ⧜ে āĻŽুāĻ­ি āĻ…āύেāĻ• āĻĻেāĻ–āĻ›ি, āĻ•িāύ্āϤু āĻ•োāύ āϜা⧟āĻ—া āϘুāϰে āĻāϏে āϐāϟাāϰ āĻ•াāĻšিāύী āύি⧟ে āĻŽুāĻ­ি āĻĻেāĻ–াāϰ āϏুāϝোāĻ— āĻ•āĻ–āύো āφāϏāĻŦে āĻ­াāĻŦিāύাāχ। āϤাāϰ āωāĻĒāϰ āϜা⧟āĻ—াāϟাāĻ“ āĻŦেāĻļ āĻ•াāĻ›েāχ, āĻ—াāϜীāĻĒুāϰে। āϝāĻĻিāĻ“ āĻ—ি⧟ে āĻŦেāĻļি āĻ•িāĻ›ু āĻĒাāχāύাāχ, āĻŽাāύে āχāϤিāĻšাāϏেāϰ āĻ›াāĻĒ āĻĒাāχāύাāχ āφāϰāĻ•ি; āφāĻ—েāϰ āϏāĻŦ āĻŦিāϞ্āĻĄিংāϰে āϏāϰāĻ•াāϰি āĻ•াāϰ্āϝাāϞ⧟, āϏ্āĻ•ুāϞ, āĻ•ো⧟াāϰ্āϟাāϰ āĻŦাāύা⧟ āĻĢেāϞāĻ›ে। āϝাāχāϤেāĻ“ āĻĒ্āϝাāϰা āĻšā§Ÿāύাāχ āĻŦেāĻļি; āĻ…āύাāĻŦিāϞ āĻŦাāϏে āĻ•āϰে āĻ—াāϜীāĻĒুāϰ āϚৌāϰাāϏ্āϤা, āϏেāĻ–াāύ āĻĨেāĻ•ে āĻ…āϟো āĻ•āϰে āϰাāϜāĻŦা⧜ি।

āĻāχ āĻ­āĻŦāύāϟা āĻāĻ•āϟু āĻ•āĻŽ āĻāĻĄিāϟ āĻ•āϰāĻ›ে 😀
āĻ­াāĻ“ā§ŸাāϞ āϜāĻŽিāĻĻাāϰ āĻŦংāĻļেāϰ āϰাāϜা āϰāĻŽেāύ্āĻĻ্āϰāύাāϰা⧟āĻŖ āϰা⧟েāϰ āĻŽৃāϤ্āϝুāϰ āĻĒāϰ āĻĢিāϰে āφāϏাāϰ āĻ•াāĻšিāύী āĻŦেāĻļ āĻŦিāĻ–্āϝাāϤ āĻ“ āϚাāĻž্āϚāϞ্āϝāĻ•āϰ। āϞেāĻ–াāϰ āĻ–াāϤিāϰে āĻāĻ•āϟু āĻĒেāĻ›āύে āϝাāĻ“ā§Ÿা āϝাāĻ•। āĻŽোāϟাāĻŽুāϟি ā§Šā§Ļā§Ļ āĻŦāĻ›āϰ āφāĻ—ে ā§§ā§­ā§Ļā§Ļ āϏাāϞেāϰ āĻĻিāĻ•ে āĻ­াāĻ“ā§ŸাāϞ āĻĒāϰāĻ—āĻŖা āϜāĻŽিāĻĻাāϰীāϰ āĻĻেāĻ“ā§Ÿাāύ (Proctor) āĻšāύ āĻŦাংāϞাāϰ āĻĒ্āϰāĻĨāĻŽ āϏ্āĻŦাāϧীāύ āύāĻŦাāĻŦ āĻŽুāϰ্āĻļিāĻĻāĻ•ুāϞী āĻ–াāύ। āĻŽোāϟা āĻ…ংāĻ•েāϰ āϰাāϜāϏ্āĻŦ āĻĻে⧟াāϰ āϞোāĻ­ āĻĻেāĻ–ি⧟ে āĻ…āύ্āϝ āĻ…āĻž্āϚāϞেāϰ āĻšিāύ্āĻĻু āϜāĻŽিāĻĻাāϰāϰা āύāĻŦাāĻŦেāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻ­াāĻ“ā§ŸাāϞ āĻ…āĻž্āϚāϞেāϰ āϜāĻŽিāĻĻা্āϰী āĻĒাāύ। āĻŦিāĻ­িāύ্āύ āĻšাāϤ āϘুāϰে āĻāχ āϜāĻŽিāĻĻাāϰী āϝা⧟ āĻ•াāϞীāύাāϰা⧟āĻŖ āϰা⧟āϚৌāϧুāϰীāϰ āĻ•াāĻ›ে। āϤাāϰ āĻ›েāϞে āϰাāϜেāύ্āĻĻ্āϰāύাāϰাāϝ়āĻŖ āϰাāϝ়āϚৌāϧুāϰী āĻāχ āϜāĻŽিāĻĻাāϰীāĻ•ে āĻĸাāĻ•া, āĻŽā§ŸāĻŽāύāϏিংāĻš, āĻ—াāϜীāĻĒুāϰāϏāĻš āφāϰো āĻ…āύেāĻ• āĻāϞাāĻ•া āĻĒāϰ্āϝāύ্āϤ āĻŦিāϏ্āϤৃāϤ āĻ•āϰেāύ। āĻŦিāĻ–্āϝাāϤ āϏাāĻšিāϤ্āϝিāĻ• āĻ•াāϞীāĻĒ্āϰāϏāύ্āύ āϘোāώ āĻ›িāϞেāύ āϤাāϰ āĻĻেāĻ“ā§Ÿাāύ। āĻāχ āϰাāϜেāύ্āĻĻ্āϰāύাāϰাāϝ়āĻŖেāϰ āϤিāύ āĻ›েāϞে āϰāĻŖেāύ্āĻĻ্āϰ, āϰāĻŽেāύ্āĻĻ্āϰ āĻ“ āϰāĻŦীāύ্āĻĻ্āϰāύাāϰাāϝ়āĻŖ āϰাāϝ়āϚৌāϧুāϰী ( āύাāĻŽāϤো āύা āĻāĻ•েāĻ•āϜāύ āĻ•ā§ŸেāĻ•āϟা āϜিāϞা āύি⧟া āĻŦāχāϏে )।   



āϜāĻŽিāĻĻাāϰāĻŦা⧜িāϰ āĻĒুāĻ•ুāϰ
⧧⧝ā§Ļā§Ē āϏাāϞে āϰাāϜেāύ্āĻĻ্āϰāύাāϰাāϝ়āĻŖ āĻŽাāϰা āϝাāĻ“ā§Ÿাāϰ āϏāĻŽā§Ÿ āϤাāϰ āϤিāύ āĻ›েāϞেāχ āĻ›িāϞেāύ āύাāĻŦাāϞāĻ•। āϤাāϰা āϏাāĻŦাāϞāĻ• āĻšāĻ“ā§Ÿাāϰ āĻĒāϰ āϤাāĻĻেāϰ āĻšাāϤে āϜāĻŽিāĻĻাāϰী āϝা⧟। āĻ•িāύ্āϤু āωāĻĻাāϏীāύāϤা āφāϰ āĻ…āϜ্āĻžāϤাāϰ āĻ•াāϰāĻŖে āϜāĻŽিāĻĻাāϰীāϰ āĻĻেāĻ–াāϰ āĻ…āϝোāĻ—্āϝ āĻ›িāϞেāύ āĻŽোāϟাāĻŽুāϟি āϤিāύāϜāύāχ। āĻāϰ āĻŽāϧ্āϝে āϰāĻŽেāύ্āĻĻ্āϰāύাāϰা⧟āĻŖেāϰ āĻŽāĻĻ āφāϰ āύাāϰীāϰ āύেāĻļা āĻ›িāϞো āĻĒ্āϰāĻŦāϞ। āĻ…āϤিāϰিāĻ•্āϤ āύাāϰীāϞিāĻĒ্āϏুāϤাāϰ āĻĢāϞ āϝা āĻšāĻŦাāϰ āϤাāχ āĻšāϞো, āϏিāĻĢিāϞিāϏে āφāĻ•্āϰাāύ্āϤ āĻšā§Ÿে āĻ…āϏুāϏ্āĻĨ āĻšā§Ÿে āĻĒ⧜েāύ āϤিāύি। āĻ…āύেāĻ• āχāϤিāĻšাāϏāĻŦিāĻĻ āĻĻাāĻŦী āĻ•āϰেāύ, āϏ্āĻŦাāĻŽীāϰ āύাāϰীāϞিāĻĒ্āϏুāϤা⧟ āĻšāϤাāĻļ āĻšā§Ÿে āϰāĻŽেāύ্āĻĻ্āϰāϰ āϏ্āϤ্āϰী āĻŦিāĻ­াāĻŦāϤী āĻĻেāĻŦী āϰাāϜাāϰ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻĄাāĻ•্āϤাāϰ āφāĻļুāϤোāώ āĻĻাāϏāĻ—ুāĻĒ্āϤেāϰ āϏাāĻĨে āĻĒ্āϰāϪ⧟ে āϜ⧜ি⧟ে āĻĒ⧜েāύ। āĻāĻĻিāĻ•ে āĻĻৃāĻļ্āϝāĻĒāϟে āĻšাāϜিāϰ āĻšāύ āĻŦিāĻ­াāĻŦāϤী āĻĻেāĻŦীāϰ āĻ­াāχ āϏāϤ্āϝেāύ্āĻĻ্āϰāύাāĻĨ āĻŦ্āϝাāύাāϰ্āϜী; āϰāĻŽেāύ্āĻĻ্āϰāύাāϰা⧟āĻŖেāϰ āĻāϏāĻŦ āĻĻুāϰ্āĻŦāϞāϤাāϰ āϏুāϝোāĻ— āύি⧟ে āϜāĻŽিāĻĻাāϰী āĻšাāϤি⧟ে āύে⧟াāϰ āĻĒা⧟āϤাāϰা āĻ•āϰāϤে āĻĨাāĻ•ে āϏে। āĻĒāϰāĻŦāϰ্āϤীāϤে āϰাāϜাāĻ•ে āϰাāĻŖী āĻŦিāĻ­াāĻŦāϤী, āϰাāϜাāϰ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻĄাāĻ•্āϤাāϰ āφāĻļুāϤোāώ, āϰাāĻŖীāϰ āĻ­াāχ āϏāϤ্āϝেāύ্āĻĻ্āϰāύাāĻĨāϏāĻš āĻŽোāϟাāĻŽুāϟি āĻŦিāĻļ āϜāύāĻ•ে āĻšাāĻ“ā§Ÿা āĻŦāĻĻāϞেāϰ āϜāύ্āϝ āĻĻাāϰ্āϜিāϞিং āĻĒাāĻ ি⧟ে āĻĻে⧟া āĻšā§Ÿ।āĻĻাāϰ্āϜিāϞিং āĻ—ি⧟ে āϰাāϜাāϰ āĻ…āĻŦāϏ্āĻĨা āφāϰো āĻ–াāϰাāĻĒ āĻšā§Ÿ। āĻ…āύেāĻ•ে āĻāϟাāĻ“ āĻŦāϞেāύ, āϰাāĻŖী āĻŦিāĻ­াāĻŦāϤী āĻĻেāĻŦী āφāϰ āϤাāϰ āĻ­াāχ āĻŽিāϞে āĻ–াāĻŦাāϰ, āĻ”āώুāϧ āχāϤ্āϝাāĻĻিāϰ āĻŽāϧ্āϝে āĻŦিāώ āĻŽিāĻļি⧟ে āϰাāϜাāĻ•ে āϤিāϞে āϤিāϞে āĻŽাāϰাāϰ āώ⧜āϝāύ্āϤ্āϰ āĻ•āϰেāύ। āĻāĻ•āĻĻিāύ āĻāĻ• āϟেāϞিāĻ—্āϰাāĻŽ āφāϏে āϝাāϤে āϞেāĻ–া āĻ›িāϞো “āϰāĻŽেāύ্āĻĻ্āϰāύাāϰা⧟āĻŖ āχāϜ āύো āĻŽোāϰ”। āĻŽৃāϤ্āϝুāϰ āĻ•াāϰāĻŖ āĻšিāϏেāĻŦে āĻ—āϞāĻŦ্āϞাāĻĄাāϰে āĻĒাāĻĨāϰেāϰ āĻ•āĻĨা āωāϞ্āϞেāĻ– āĻ•āϰেāύ āĻĻাāϰ্āϜিāϞিāĻ™েāϰ āϏাāϰ্āϜāύ। āĻļেāώāĻ•ৃāϤ্āϝেāϰ āĻĒাāϟ āϚুāĻ•ি⧟ে āϜāĻŽিāĻĻাāϰ āĻŦা⧜িāϤে āĻāϏে āĻĒāϰে āĻ•āϞāĻ•াāϤা⧟ āĻĢিāϰে āϝাāύ āϰাāĻŖী āĻŦিāĻ­াāĻŦāϤী āĻ“ āϤাāϰ āĻ­াāχ। 

āĻ•াāĻšিāύীāϤো āĻ…āύ্āϝ āϜা⧟āĻ—া⧟; āϰাāϜাāϰ āĻļেāώāĻ•ৃāϤ্āϝāχ āϝে āĻšā§Ÿāύাāχ। āĻ¸ā§ŽāĻ•াāϰেāϰ āĻĻিāύ āĻĒ্āϰāϚāύ্āĻĄ āĻļিāϞাāĻŦৃāώ্āϟি āĻšā§Ÿ; āωāĻĒāϏ্āĻĨিāϤ āϏāĻŦাāχ āϰাāϜাāϰ āĻŽৃāϤāĻĻেāĻš āĻļ্āĻŽāĻļাāύেāϰ āĻ•াāĻ›ে āϰেāĻ–ে āĻŦৃāώ্āϟি āĻĨাāĻŽাāϰ āĻ…āĻĒেāĻ•্āώা āĻ•āϰāĻ›িāϞ। āĻŦৃāώ্āϟি āĻĨাāĻŽাāϰ āĻĒāϰ āĻ—ি⧟ে āĻĻেāĻ–ে āĻŽৃāϤāĻĻেāĻš āĻ—া⧟েāĻŦ। āĻļে⧟াāϞ āĻ•ুāĻ•ুāϰে āĻŽৃāϤāĻĻেāĻš āύি⧟ে āĻ—েāĻ›ে āĻ­েāĻŦে āϏāĻŦাāχ āĻĢিāϰে āφāϏে। āĻāχ āĻ–āĻŦāϰ āϧাāĻŽাāϚাāĻĒাāϰ āϚেāώ্āϟা āĻ•āϰা āĻšāϞেāĻ“ āϤা āϏāĻŽ্āĻ­āĻŦ āĻšā§Ÿāύি। āϤাāϰāĻĒāϰো āĻ…āύেāĻ•েāϰ āφāĻļা āĻ›িāϞ āϰাāϜা āĻĢিāϰে āφāϏāĻŦেāύ āĻāĻ•āĻĻিāύ। āĻāĻĻিāĻ•ে āĻŦāĻ›āϰেāϰ āĻĒāϰ āĻŦāĻ›āϰ āϚāϞে āϝা⧟, āϰাāϜাāϰ āĻ–āĻŦāϰ āύাāχ। āϰাāϜাāϰ āĻŦাāĻ•ি āĻĻুāχāĻ­াāχ āĻŽাāϰা āϝাāύ; āϜāĻŽিāĻĻাāϰী āĻāĻ•āϏāĻŽā§Ÿ āĻĒুāϰোāĻĒুāϰি āĻŦ্āϰিāϟিāĻļāĻĻেāϰ āĻšাāϤে āϚāϞে āϝা⧟। āĻāĻ•āϝুāĻ— āĻĒāϰে ⧧⧝⧍⧧ āϏাāϞে āĻāĻ•āĻĻিāύ āĻŦু⧜িāĻ—āĻ™্āĻ—াāϰ āĻĻāĻ•্āώিāĻŖ āĻĒাāĻļে āĻŦাāĻ•āϞ্āϝাāύ্āĻĄ āĻŦাঁāϧ āĻāϞাāĻ•া⧟ āĻāĻ• āϜāϟাāϧাāϰী āϏāύ্āύ্āϝাāϏীāϰ āĻĻেāĻ–া āĻĒাāĻ“ā§Ÿা āϝা⧟, āĻ…āĻŦিāĻ•āϞ āϰāĻŽেāύ্āĻĻ্āϰāύাāϰা⧟āĻŖেāϰ āĻŽāϤ āĻĻেāĻ–āϤে। āϤাāϰ āĻ›োāϟāĻŦোāύ āϜ্āϝোāϤিāϰ্āĻŽā§Ÿী āĻĻেāĻŦীāĻ•ে āĻ–āĻŦāϰ āĻĻে⧟া āĻšāϞো। āϤিāύি āĻāϏে āϏāύ্āύ্āϝাāϏীāĻ•ে āĻĻেāĻ–ে āϤো āĻšা! āϤাāϰ āωāĻĒāϰ āϏāύ্āύ্āϝাāϏীāϰ āĻ—া⧟েāϰ āĻĻাāĻ—েāϰ āϏাāĻĨে āϰাāϜাāϰ āĻ—া⧟ে āĻļিāĻ•াāϰেāϰ āĻĻাāĻ— āφāϰ āϜāύ্āĻŽāĻĻাāĻ—েāϰ āĻŽিāϞ āĻ–ুঁāϜে āĻĒাāύ āϤাāϰ āĻŦোāύ। āĻ‰ā§ŽāϏুāĻ• āĻŽাāύুāώেāϰ āĻŦিāĻ­িāύ্āύ āĻĒ্āϰāĻļ্āύেāϰ āϏāĻ িāĻ• āωāϤ্āϤāϰ āĻĻেāύ āϤিāύি; āĻĻাāϰ্āϜিāϞিāĻ™েāϰ āϘāϟāύাāϰāĻ“ āϏāĻ িāĻ• āĻŦāϰ্āĻŖāύা āĻĻেāύ। āϤিāύি āφāϰো āĻŦāϞেāύ, āϜāĻ™্āĻ—āϞেāϰ āϏāύ্āύ্āϝাāϏীāϰা āϤাāĻ•ে āĻŦৃāώ্āϟিāĻ­েāϜা āĻ…āĻŦāϏ্āĻĨা⧟ āĻ–ুঁāϜে āĻĒা⧟; āϤাāĻ•ে āϏেāĻŦা āĻ•āϰে āĻŦাঁāϚি⧟ে āϤুāϞে। āϤাāĻĻেāϰ āϏাāĻĨে āĻŦিāĻ­িāύ্āύ āϜা⧟āĻ—া⧟ āĻ­্āϰāĻŽāĻŖেāϰ āĻŽাāϧ্āϝāĻŽে āφāϏ্āϤে āφāϏ্āϤে āϤাāϰ āϏ্āĻŽৃāϤি āĻĢেāϰāϤ āĻāϏেāĻ›ে। 

āĻāϏāĻŦ āϘāϟāύাāϰ āĻĒāϰ āϰাāϜা āϰāĻŽেāύ্āĻĻ্āϰāϰ āφāχāύāϜীāĻŦিāϰা āϜāĻŽিāĻĻাāϰীāϰ āĻ…ংāĻļ āϚে⧟ে āĻŽাāĻŽāϞা āĻ•āϰে āĻŦāϏেāύ। āϜāĻŽিāĻĻাāϰী āϤāĻ–āύ āĻ­োāĻ— āĻ•āϰāĻ›িāϞেāύ āĻŦিāĻ­াāĻŦāϤী āĻĻেāĻŦী, āϤাāϰ āĻ­াāχ āϏāϤ্āϝেāύ্āĻĻ্āϰāύাāĻĨ āĻāĻŦং āϤাāϰ āϏ্āϤ্āϰী। āĻāϟাāχ āϐāϤিāĻšাāϏিāĻ• ‘āĻ­াāĻ“ā§ŸাāϞ āϏāύ্āύ্āϝাāϏী āĻŽাāĻŽāϞা’ āύাāĻŽে āĻ–্āϝাāϤ। āĻĻুāχāĻĒāĻ•্āώেāχ āĻ…āύেāĻ• āϝুāĻ•্āϤি, āĻĒ্āϰāĻŽাāĻŖেāϰ āϏাāĻšাāϝ্āϝ āύে⧟া āĻšā§Ÿ। āϰাāϜা āύাāĻ•ি āĻ…āύেāĻ• āĻļিāĻ•্āώিāϤ āĻ›িāϞেāύ, āϏāύ্āύ্āϝাāϏী āĻļিāĻ•্āώিāϤ āύা- āĻāχ āϝুāĻ•্āϤিāĻ“ āĻĻেāĻ–াāύো āĻšā§Ÿ; āĻĒāϰে āĻĒ্āϰāĻŽাāĻŖিāϤ āĻšā§Ÿ āϰাāϜাāĻ“ āĻŽোāϟাāĻŽুāϟি āύিāϰāĻ•্āώāϰāχ āĻ›িāϞেāύ (āĻ–েāϞাāϧুāϞা⧟ āĻŽāϤ্āϤ āĻ›িāϞেāύ āϤাāχ āĻļিāĻ•্āώা āĻ—্āϰāĻšāĻŖেāϰ āϏুāϝোāĻ— āĻĒাāύāύাāχ )। āϰাāϜা āχংāϰেāϜি, āĻŦাংāϞা āĻŦāϞāϤে āĻĒাāϰāϤেāύ; āϏāύ্āύ্āϝাāϏী āωāϰ্āĻĻুāϤে āĻ•āĻĨা āĻŦāϞāϤেāύ। āĻĒāϰে āϰাāϜাāϰ āχংāϰেāϜি āφāϰ āĻŦাংāϞাāĻ­াāώাāϜ্āĻžাāύেāϰ āĻĒ্āϰāĻŽাāĻŖ āĻšিāϏেāĻŦে āϝে āϚিāĻ িāĻ—ুāϞো āφāĻĻাāϞāϤে āĻĒেāĻļ āĻ•āϰা āĻšā§Ÿ āϐāĻ—ুāϞো āϜাāϞ āĻŦāϞে āĻĒ্āϰāĻŽাāĻŖিāϤ āĻšā§Ÿ। āĻāĻ­াāĻŦে ā§§ā§¯ā§Šā§Ļ āϏাāϞে āĻļুāϰু āĻšāĻ“ā§Ÿা āĻŽাāĻŽāϞা ā§§ā§¯ā§Šā§Ŧ āĻ āĻļেāώ āĻšā§Ÿ। āφāϰেāĻ•āϟি āĻŽাāĻŽāϞা ⧧⧝ā§Ēā§Ŧ āϏাāϞে āĻļেāώ āĻšā§Ÿ; āĻĻুāϟি āĻŽাāĻŽāϞাāϰ āϰা⧟āχ āϰাāϜাāϰ āĻĒāĻ•্āώে āϝা⧟। āĻĒāĻ•্āώে āϰা⧟ āĻĒে⧟েāĻ“ āĻŦেāĻļি āϞাāĻ­ āĻšā§Ÿāύাāχ; āĻŽাāĻŽāϞা āϜিāϤাāϰ āĻ•ā§ŸেāĻ• āĻŽাāϏ āĻĒāϰেāχ āĻŽাāϰা āϝাāύ āϰাāϜা āϰāĻŽেāύ্āĻĻ্āϰ। āĻŦāϰ্āϤāĻŽাāύে āĻ­াāĻ“āϝ়াāϞ āĻāϏ্āϟেāϟেāϰ āĻ•āϰ্āĻŽāĻ•াāĻŖ্āĻĄ āĻ—āĻŖāĻĒ্āϰāϜাāϤāύ্āϤ্āϰী āĻŦাংāϞাāĻĻেāĻļ āϏāϰāĻ•াāϰেāϰ āĻ­ূāĻŽি āϏংāϏ্āĻ•াāϰ āĻŦোāϰ্āĻĄ āĻĒāϰিāϚাāϞāύা āĻ•āϰে।  

āĻāχāϰāĻ•āĻŽ āϚাāĻž্āϚāϞ্āϝāĻ•āϰ āĻ•াāĻšিāύী āύি⧟ে āĻ“āĻĒাāϰ āĻŦাংāϞা⧟ āχāϤোāĻŽāϧ্āϝে āĻŽুāĻ­ি āĻŦাāύাāύো āĻšā§ŸেāĻ›ে; āύাāĻŽ āĻ›িāϞ “āϏāύ্āύ্āϝাāϏী āϰাāϜা”; āĻ…āĻ­িāύ⧟ āĻ•āϰেāĻ›িāϞেāύ āĻŽāĻšাāύা⧟āĻ• āωāϤ্āϤāĻŽ āĻ•ুāĻŽাāϰ। āφāϰেāĻ•āϟি āĻŽুāĻ­ি āĻŽুāĻ•্āϤি āĻĒাāĻŦে āĻĒāϰেāϰ āĻŽাāϏেāϰ ⧧⧍ āϤাāϰিāĻ–; āύাāĻŽ “āĻāĻ• āϝে āĻ›িāϞো āϰাāϜা”। āύাāĻŽ āĻ­ূāĻŽিāĻ•া⧟ āĻ…āĻ­িāύ⧟ āĻ•āϰāĻŦেāύ “āϜাāϤিāϏ্āĻŽāϰ” āĻ–্āϝাāϤ āϝীāĻļু āϏেāύāĻ—ুāĻĒ্āϤ;āφāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻ…āĻ­িāύেāϤ্āϰী āϜ⧟া āφāĻšāϏাāύāĻ“ āφāĻ›েāύ āĻŽুāĻ­িāϟিāϤে।
āφāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻ•াāĻšিāύী āύি⧟ে āĻŦাāχāϰে āĻŽুāĻ­ি āĻšā§Ÿে āϝাāχāϤেāĻ›ে, āφāϰ āφāĻŽāϰা............... 
 

Ganesh Gaitonde, God Complex and Hindu Mythology (Part 2)

https://jbamit.blogspot.com/2018/10/blog-post.html

"Sacred Games" āϏিāϰিāϜেāϰ āĻĒāϰ্āĻŦāĻ—ুāϞোāϰ āύাāĻŽ āĻšিāύ্āĻĻু āĻŽিāĻĨোāϞāϜিāϰ āĻ•িāĻ›ু āĻ•্āϝাāϰেāĻ•্āϟাāϰেāϰ āύাāĻŽাāύুāϏাāϰে āĻĻে⧟া।āĻĒāϰ্āĻŦ ā§§ (āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা)-āϰ āĻ•āĻĨা āφāĻ—েāϰ āϞেāĻ–াāϟা⧟ āĻ›িāϞো; āĻŦাāĻ•ি āϏাāϤāϟাāϰ āĻŦ্āϝাāĻĒাāϰে āϞিāĻ–āĻ›ি।

āĻĒāϰ্āĻŦ ⧍ (āĻšāϞাāĻšāϞ): āĻšিāύ্āĻĻু āĻŽিāĻĨোāϞāϜিāϤে āϏāĻŽুāĻĻ্āϰ āĻŽāύ্āĻĨāύেāϰ āĻŦা āϏāĻŽুāĻĻ্āϰ āύিং⧜াāύোāϰ āωāϞ্āϞেāĻ– āφāĻ›ে āϝেāĻ–াāύে āĻĻেāĻŦāϤা (Gods) āĻ“ āĻ…āϏুāϰেāϰা (Demons) āĻŽিāϞে āĻŽāύ্āĻĨāύেāϰ āĻŽাāϧ্āϝāĻŽে āĻ…āĻŽৃāϤ (āĻ…āĻŽāϰāϤ্āĻŦেāϰ āĻĒাāύী⧟) āĻŦাāύাāύোāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰে। āĻāϜāύ্āϝ āϤাāϰা āϏাāĻĒāĻĻেāϰ āϰাāϜা āĻŦাāϏুāĻ•িāϰ āϏাāĻšাāϝ্āϝ āύে⧟। āĻ•িāύ্āϤু āĻŦাāϏুāĻ•িāϰ āĻŦিāώাāĻ•্āϤ āϧোঁ⧟া⧟ āĻ…āĻŽৃāϤ āϤৈāϰিāϰ āφāĻ—েāχ āĻšāϞাāĻšāϞ āύাāĻŽেāϰ āĻŦিāώ āϤৈāϰি āĻšā§Ÿে āϝা⧟ āϝাāϤে āĻĻেāĻŦāϤা, āĻ…āϏুāϰ āϏāĻŦ āĻŽাāϰা āϝেāϤে āĻĨাāĻ•ে। āĻĻেāĻŦāϤা āĻļিāĻŦ āĻāχ āĻŦিāώ āύিāϜে āĻĒাāύ āĻ•āϰাāϰ āĻŽাāϧ্āϝāĻŽে āϏāĻŦাāχāĻ•ে āϰāĻ•্āώা āĻ•āϰেāύ। "Sacred Games" āĻ āĻļিāĻŦেāϰ āĻāχ āĻ•āϞ্āĻĒিāϤ āϚāϰিāϤ্āϰ āĻšāϞ āχāύ্āϏāĻĒেāĻ•্āϟāϰ āϏাāϰāϤাāϜ āϏিং āφāϰ āĻ…āϏুāϰ āĻšāϞ āĻ—াāχāϤোāύ্āĻĄে। āϤাāĻĻেāϰ āĻ•āĻĨোāĻĒāĻ•āĻĨāύেāϰ āĻļুāϰুāϤেāχ āϤাāϰা āĻāĻ•ে āĻ…āĻĒāϰেāϰ āĻ­াāĻ—্āϝ āĻĒāϰিāĻŦāϰ্āϤāύ āĻ•āϰāϤে āϚা⧟ āϝেāĻ­াāĻŦে āĻĻেāĻŦāϤা āĻ“ āĻ…āϏুāϰেāϰা āĻ…āĻŽৃāϤ āĻŦাāύি⧟ে āĻ…āĻŽāϰ āĻšāϤে āϚে⧟েāĻ›িāϞো। āϤাāϰা āĻĻুāϜāύ āĻ•āĻĨা āĻŦāϞāϤে āĻŦāϞāϤেāχ āϏাāϰāϤাāϜ āϏিং āĻāϰ āĻŦাāĻŦা āĻĻিāϞ্āĻŦাāĻ— āϏিং⧟েāϰ āĻ•āĻĨা, āĻ­াāϰāϤেāϰ āϰাāϜāύৈāϤিāĻ• āχāϤিāĻšাāϏ, āφāύ্āϤāϰ্āϜাāϤিāĻ• āĻ—ুāĻĒ্āϤāϚāϰāĻŦৃāϤ্āϤিāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা, ⧍ā§Ģ āĻĻিāύেāϰ āĻŽāϧ্āϝে āĻŽুāĻŽ্āĻŦাāχ āĻļāĻšāϰ āϧāĻŦংāϏ āĻ•āϰে āĻĢেāϞাāϰ āĻ“ā§Ÿাāϰ্āύিং- āĻ…āύেāĻ•āϟা āĻ…āĻŽৃāϤ āĻŦাāύাāϤে āĻ—ি⧟ে āĻšāϞাāĻšāϞ āϤৈāϰি āĻšā§Ÿে āϝাāĻ“ā§Ÿাāϰ āϏাāĻĨে āĻŽিāϞে। ā§Ž āύং āĻĒāϰ্āĻŦে āύিāϜেāϰ āĻļāĻšāϰ āĻŽুāĻŽ্āĻŦাāχ āϰāĻ•্āώা āĻ•āϰāϤে āĻ—ি⧟ে āϏাāϰāϤাāϜ āϏিং āĻāϰ āφংāĻ—ুāϞ āĻšাāϰাāύো āĻļিāĻŦেāϰ āĻŦিāώ āĻĒাāύ āĻ•āϰাāϰ āϰূāĻĒāĻ•।


āĻĒāϰ্āĻŦ ā§Š (āφāϤাāĻĒি-āĻŦাāϤাāĻĒি): āĻŽāĻšাāĻ­াāϰāϤ āĻŽāϤে āφāϤাāĻĒি āĻŦাāϤাāĻĒি āĻĻুāχ āĻ­াāχ, āĻĻুāχāϟাāχ āϰাāĻ•্āώāϏ āĻŦা āĻ…āϏুāϰ। āϤাāϰা āĻĒāĻĨিāĻ•āĻĻেāϰ āφāĻĒ্āϝা⧟āύেāϰ āϞোāĻ­ āĻĻেāĻ–ি⧟ে āϧোঁāĻ•া āĻĻিāϤো, āϤাāϰāĻĒāϰ āϤাāĻĻেāϰ āĻŽেāϰে āϏāĻŦ āϞুāϟ āĻ•āϰে āύিāϤো। āϤাāϰা āϤাāĻĻেāϰ āϰূāĻĒ āĻĒāϰিāĻŦāϰ্āϤāύ āĻ•āϰāϤে āĻĒাāϰāϤো।

āĻŽাāĻŽাāϰ āĻāχ āĻĄা⧟āϞāĻ— āĻ–ুāĻŦ āĻ–াāχāϏে āĻĒাāĻŦāϞিāĻ•
āĻāĻ–াāύে āφāϤাāĻĒি āĻŦাāϤাāĻĒি āĻšāϞ āĻ—াāχāϤোāύ্āĻĄেāϰ āĻĻুāχ āϏāĻšāϝোāĻ—ী- āĻŦাāύ্āϟি āĻ“ āĻŦ⧜ āĻŦāĻĻāϰি⧟া; āĻŦাāύ্āϟি āĻ—োঁ⧜া āĻšিāύ্āĻĻু āφāϰ āĻŦāĻĻāϰি⧟া āĻ—োঁ⧜া āĻŽুāϏāϞāĻŽাāύ। āĻŦাāύ্āϟি āĻ—াāχāϤোāύ্āĻĄেāĻ•ে āϰাāϜি āĻ•āϰা⧟ āĻ­োāϏāϞেāϰ āϏাāĻĨে āϝোāĻ— āĻĻিāϤে āφāϰ āĻĒāϰে āϧোঁāĻ•া āĻĻে⧟। āĻŦ⧜ āĻŦāĻĻāϰি⧟া āχāϏাāϰ āĻ­াāϤিāϜিāϰ āĻŦি⧟েāϤে āĻ—ি⧟ে āĻ—াāχāϤোāύ্āĻĄেāĻ•ে āϧোঁāĻ•া āĻĻে⧟। āĻŦাāύ্āϟি āĻ“ āĻŦāĻĻāϰি⧟াāϰ āĻ—োঁ⧜া āϧাāϰ্āĻŽিāĻ• āĻšā§ŸেāĻ“ āĻļুāϧুāĻŽাāϤ্āϰ āϏ্āĻŦাāϰ্āĻĨেāϰ āϜāύ্āϝ āĻ…āύ্āϝ āϧāϰ্āĻŽেāϰ āĻ‰ā§ŽāϏāĻŦে āϝোāĻ— āĻĻে⧟া - āφāϤাāĻĒি āĻŦাāϤাāĻĒিāϰ āϰূāĻĒ āĻĒāϰিāĻŦāϰ্āϤāύ āĻ•āϰাāϰ āϰূāĻĒāĻ•। 

āĻ›āĻŦিāϤে āĻŦাāύ্āϟিāϰ āĻāχ āĻĄা⧟āϞāĻ— āĻ–ুāĻŦ āĻŦিāĻ–্āϝাāϤ āĻšāχāϏে āĻŦāϞāϤে āĻšāĻŦে; āϝāĻĻিāĻ“ āĻāχ āĻ•āĻĨা āφāϰেāĻ•āϟি āĻšিāύ্āĻĻি āĻŽুāĻ­ি- Golmaal-3 āϤে āĻŽুāĻ•াāĻ­িāύ⧟ āĻ•āϰে āĻĻেāĻ–াāύো āĻšā§ŸেāĻ›িāϞো 😜।


āĻĒāϰ্āĻŦ ā§Ē (āĻŦ্āϰāĻš্āĻŽāĻšāϤ্āϝা) : āĻŦ্āϰāĻš্āĻŽāĻšāϤ্āϝা āĻŽাāύে āĻŦ্āϰাāĻš্āĻŽāĻŖ āĻšāϤ্āϝা āĻŽাāύে āĻŽাāύুāώ āĻšāϤ্āϝা; āϝেāĻ•োāύ āϧāϰ্āĻŽ āĻŽāϤে āϝেāϟা āĻŽāĻšাāĻĒাāĻĒ। āĻĒ্āϰāĻĨāĻŽ āĻĒāϰ্āĻŦেāχ āĻ—াāχāϤোāύ্āĻĄে āϤাāϰ āĻŽাāĻ•ে āĻĒাāĻĨāϰ āĻĻি⧟ে āφāϘাāϤ āĻ•āϰে āĻšāϤ্āϝা āĻ•āϰে। āĻĒāϰে āĻ­োāϟ āφāĻĻা⧟েāϰ āϜāύ্āϝ āĻāĻŦং āύিāϜেāϰ āϏ্āϤ্āϰী āĻšāϤ্āϝাāϰ āĻĒ্āϰāϤিāĻļোāϧ āύিāϤে āĻŦ্āϝাāĻĒāĻ•āĻšাāϰে āύিāϰাāĻĒāϰাāϧ āĻŽুāϏāϞāĻŽাāύāĻĻেāϰ āĻšāϤ্āϝা āĻ•āϰে।

āĻĒāϰ্āĻŦ ā§Ģ (āϏাāϰāĻŽে⧟): āϏাāϰāĻŽে⧟ āĻŽাāύে āĻ•ুāĻ•ুāϰ। In the long run, everyone is a dog with a leash. 
āϏাāϰāĻŽে⧟āϰ āĻŽাāϧ্āϝāĻŽে āχāύ্āϏāĻĒেāĻ•্āϟāϰ āϏাāϰāϤাāϜ āϏিংāĻ•ে āĻŦোāĻাāύো āĻšā§ŸেāĻ›ে āϝে āĻ•িāύা āϏāϤ্āϝ āĻ“ āύ্āϝা⧟েāϰ āĻĒāĻĨে āĻĨাāĻ•āϤে āϚে⧟েāĻ“ āĻ…āύ্āϝা⧟ āĻ•াāϜ āϏāĻš্āϝ āĻ•āϰāϤে āĻŦাāϧ্āϝ āĻšā§Ÿ। Bengali Bura case āĻ āĻŽিāĻĨ্āϝা āϏাāĻ•্āώী āĻĻিāϤে āĻŦাāϧ্āϝ āĻšā§Ÿ āĻļুāϧুāĻŽাāϤ্āϰ āĻŦাāύ্āϟিāĻ•ে āϧāϰাāϰ āϜāύ্āϝ āĻāĻ•্āϏāϟ্āϰা āĻĒুāϞিāĻļāĻĢোāϰ্āϏ āϚে⧟েāĻ›িāϞো āĻŦāϞে।

āĻĒāϰ্āĻŦ ā§Ŧ (āĻĒ্āϰেāϤāĻ•āϞ্āĻĒ): Pretakalpa is the rites to perform the cremation of a Hindu. āĻāχ āĻĒāϰ্āĻŦেāχ āϏাāϰāϤাāϜেāϰ āĻŦāύ্āϧু āĻ•াāϟেāĻ•াāϰ āĻŽাāϰা āϝা⧟। āϏাāϰāϤাāϜ āĻŦāύ্āϧুāϰ āĻšāϤ্āϝাāĻ•াāϰীāĻ•ে āĻšāϤ্āϝা āĻ•āϰে āύিāϜেāϰ āφāĻ—েāϰ āϏāϤ্āϤ্āĻŦাāĻ•েāĻ“ āĻāĻ•āϰāĻ•āĻŽ āĻšāϤ্āϝা āĻ•āϰে। 
āϝাāϰা āϏিāϰিāϜ āĻĻেāĻ–েāĻ›েāύ āϤাāϰা āĻ­াāϞāχ āĻŦুāĻāĻŦেāύ āĻŽিāĻŽāϟা

āĻĒāϰ্āĻŦ ā§­ (āϰুāĻĻ্āϰ):  āĻšিāύ্āĻĻু āϧāϰ্āĻŽাāĻŦāϞāĻŽ্āĻŦীāĻĻেāϰ āĻĒ্āϰāϧাāύ āϧāϰ্āĻŽāĻ—্āϰāύ্āĻĨ āĻŦেāĻĻেāϰ āĻĒ্āϰāĻĨāĻŽ āĻ–āύ্āĻĄ āĻ‹āĻ•āĻŦেāĻĻ āĻŽāϤে āϰুāĻĻ্āϰ āĻšāϞ āϭ⧟, āĻĒ্āϰāϚāύ্āĻĄ āĻā§œ āĻāϏāĻŦেāϰ āĻĻেāĻŦāϤা। Sacred Games āĻ āχāϏাāϰ āĻŦাāĻšিāύী āϝāĻ–āύ āĻ—াāχāϤোāύ্āĻĄেāϰ āϏ্āϤ্āϰী āϏুāĻ­āĻĻ্āϰাāĻ•ে āĻšāϤ্āϝা āĻ•āϰে, āϤāĻ–āύ āĻĒ্āϰāϚāύ্āĻĄ āϰাāĻ—ে āĻ—াāχāϤোāύ্āĻĄে āύিāϰীāĻš āĻŽুāϏāϞāĻŽাāύāĻĻেāϰ āĻŦāϏ্āϤিāϤে āφāĻ—ুāύ āϧāϰি⧟ে āϏāĻŦ āϞāύ্āĻĄāĻ­āύ্āĻĄ āĻ•āϰে āĻĻে⧟।

āĻĒāϰ্āĻŦ ā§Ž (āĻ‡ā§ŸাāϤি): āĻŽāĻšাāĻ­াāϰāϤ āĻ“ āĻ­াāĻ—āĻŦāϤ āĻĒুāϰাāĻŖ āĻŽāϤে, āĻ‡ā§ŸাāϤি āϤাāϰ āĻŦāĻ‰ā§Ÿেāϰ āĻĻাāϏীāϰ āϏাāĻĨে āĻĒāϰāĻ•ী⧟া āĻ•āϰাāϰ āĻ…āĻĒāϰাāϧে āϤাāϰ āĻļ্āĻŦāĻļুāϰ āϤাāĻ•ে āĻ…āĻ­িāĻļাāĻĒ āĻĻে⧟ āĻāĻŦং āϤাāϰে āĻŦু⧜া āĻŦাāύা⧟ āĻĻে⧟ (āϞāĻ“ āĻ েāϞা 😛)। āĻĒāϰে āĻ‡ā§ŸাāϤি āϤাāϰ āĻ›েāϞেāϰ āϏাāĻĨে āĻŦ⧟āϏ āĻ…āĻĻāϞāĻŦāĻĻāϞ āĻ•āϰে āφāĻŦাāϰ āĻšাāϰাāύো āϝৌāĻŦāύ āĻĢিāϰে āĻĒা⧟ (āĻ­াāĻ—্āϝ āĻ­াāϞ āφāĻŽাāϰ āĻŦাāĻĒ āĻāϏāĻŦ āĻĻেāĻ–েāύা āĻŦা āĻĒ⧜েāύা 😛) । Sacred Games āĻ āĻāχ āĻĒāϰ্āĻŦে āĻ—াāχāϤোāύ্āĻĄেāϰ āϤিāύ āύং āĻŦাāĻĒেāϰ āωāĻĻ⧟ āĻšā§Ÿ āϝে āĻāĻ•āϜāύ āϧāϰ্āĻŽāĻ—ুāϰু; āĻāχ āĻ•্āϝাāϰেāĻ•্āϟাāϰāϟি āĻ•āϰেāĻ›েāύ āĻĒāĻ™্āĻ•āϜ āϤ্āϰিāĻĒাāϟি। āϜেāϞে āϞোāĻ• āĻĒাāĻ ি⧟ে āϏে āĻ—াāχāϤোāύ্āĻĄেāĻ•ে āϰāĻ•্āώা āĻ•āϰে āϝাāϤে āϏে āĻ—াāχāϤোāύ্āĻĄেāϰ āϐāĻļ্āĻŦāϰ্āϝ, āĻĒ্āϰāϤিāĻĒāϤ্āϤি āύিāϜেāϰ āĻ•āϰে āύিāϤে āĻĒাāϰে।


(āϚāϞāĻŦে)

Friday, October 12, 2018

NAFTA or Nah-FTA?

āĻ—āϤ ⧍⧭ āφāĻ—āϏ্āϟ āφāĻŽেāϰিāĻ•া āĻāĻŦং āĻŽেāĻ•্āϏিāĻ•ো āφāĻ—েāϰ “NAFTA” āϚুāĻ•্āϤি āĻŦাāϤিāϞ āĻ•āϰে āύāϤুāύ āĻŦাāĻŖিāϜ্āϝ āϚুāĻ•্āϤি āĻ•āϰāϤে āϰাāϜি āĻšā§ŸেāĻ›ে। āĻšাāϏ্āϝāĻ•āϰ āĻšāϞো āφāϰেāĻ• āϏāĻĻāϏ্āϝāĻĻেāĻļ āĻ•াāύাāĻĄা āĻ›া⧜াāχ āϤাāϰা āĻĻুāχ āĻš্āϝাāĻĄāĻŽ āĻŽিāϞে āĻĻুāχ āϝুāĻ— āĻŦ⧟āϏেāϰ āĻāĻ•āϟা āϚুāĻ•্āϤি āĻŦাāϤিāϞ āĻ•āϰাāϰ āϜāύ্āϝ āĻŽিāϟিং āĻ•āϰāϏে, āĻĄিāϏিāĻļāύāĻ“ āύি⧟ে āĻĢেāϞāϏে। āĻĒাāϤ্āϤাāχ āĻĻিāϞোāύা āĻ•াāύাāĻĄাāϰে

āĻ•াāύাāĻĄা āĻ…āĻŦāĻļ্āϝ āĻļুāϰু āĻĨেāĻ•েāχ āωāĻĒāϰে āωāĻĒāϰে āϝুāĻ•্āϤ āĻ›িāϞো, active participation āĻĻেāĻ–া⧟āύাāχ, āĻāĻŽāύāĻ•ি āϏোāĻŽāĻŦাāϰেāϰ āĻŽিāϟিং āĻ āφāϏেāĻ“āύাāχ। āĻĢাāĻĒāϰ āύিāϤে āĻ—ি⧟ে āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āύিāϜেāϰ āĻĒা⧟ে āĻ•ু⧜াāϞ āĻŽাāϰāϞো āύাāĻ•ি āϏেāϟা āϏāĻŽā§Ÿāχ āĻŦāϞে āĻĻিāĻŦে। āĻ…āϞāϰেāĻĄি steel, aluminium āĻāϏāĻŦে āϟ্āϝাāϰিāĻĢ āĻ–াāχāϤেāϏে, āĻĒāϰে imported car āĻāϰ āωāĻĒāϰ āϟ্āϝাāϰিāĻĢ āĻ–াāχāϞে āĻ ্āϝাāϞা āĻŦুāĻāĻŦে। āĻ•ā§ŸেāĻ•āĻŽাāϏ āφāĻ—ে āĻĨেāĻ•েāχ āφāĻŽেāϰিāĻ•া āϰীāϤিāĻŽāϤ āĻšুāĻŽāĻ•ি āĻĻি⧟ে āϰাāĻ–āϏে auto import āĻ āϟ্āϝাāϰিāĻĢেāϰ āĻŦ্āϝাāĻĒাāϰে। āĻāχ āĻŦ্āϝাāĻĒাāϰে EU āϝেāĻŽāύ āϧুāĻŽāϧাāĻŽ āĻ•āϰে “retaliatory package” āĻĻাঁ⧜া āĻ•āϰা⧟ āĻĢেāϞāϏিāϞো, āĻ•াāύাāĻĄা āϐāϰāĻ•āĻŽ āĻ•িāĻ›ু āĻ•āϰাāϰ āϞāĻ•্āώāĻŖāĻ“ āĻĻেāĻ–া⧟āύাāχ। āϝāĻĻিāĻ“ āϤাāĻĻেāϰ āĻŦ⧜āĻŦ⧜ āχāĻ•োāύāĻŽিāϏ্āϟ, āĻ…āϟো āϏাāĻĒ্āϞাāĻ‡ā§Ÿাāϰāϰা āĻŦāϞāϤেāϏে, “We have no other options but to retaliate; Not responding is not an option.” āĻ•িāύ্āϤু āĻāχ āϧāϰāĻŖেāϰ retaliation āĻ āϝেāϤে āĻ•াāύাāĻĄাāĻ•ে āĻŦ⧜ āϧāϰāĻŖেāϰ āĻুঁāĻ•ি āĻ“ āϚাāĻĒ āύিāϤে āĻšāĻŦে āφāĻŦাāϰ āĻāĻ–āύি āĻ…্āϝাāĻ•āĻļāύে āύা āĻ—েāϞে āĻŦ⧜ āϧāϰāĻŖেāϰ recession āĻāϰ āϏāĻŽ্āĻ­াāĻŦāύাāĻ“ āĻ…āĻ—্āϰাāĻš্āϝ āĻ•āϰা āϝাāϚ্āĻ›েāύা।

NAFTA āύি⧟ে āĻ—ā§œিāĻŽāϏি āĻ…āĻŦāĻļ্āϝ āĻ•াāύাāĻĄা āĻ—āϤ āĻāĻ• āĻŦāĻ›āϰ āϧāϰেāχ āĻ•āϰে āφāϏāĻ›ে; āĻ•াāϰāĻŖ āĻšিāϏেāĻŦে āĻĻুāχāϟা āĻŦিāώ⧟ āϤাāϰা āĻŦāϞে ā§§) Anti-dumping (AD) and countervailing duties (CVD) āύি⧟ে US āĻāϰ āϏাāĻĨে dispute ⧍) āϤাāĻĻেāϰ local dairy industry āĻŦাঁāϚাāύোāϰ āϚেāώ্āϟা। āĻŦাāχāϰেāϰ āĻŽ্āϝাāύুāĻĢ্āϝাāĻ•āϚাāϰাāϰāϰা āϝāĻĻি US āϤে āύ্āϝাāϝ্āϝ āĻŽূāϞ্āϝ (Fair Value)āϰ āϚে⧟ে āĻ•āĻŽ āĻŽূāϞ্āϝে āϜিāύিāϏ āĻŦিāĻ•্āϰি āĻ•āϰে āϤāĻ–āύ āĻāϟাāĻ•ে Dumping āĻŦāϞে। āφāϰ āĻĢāϰেāύ āĻ•োāύ āĻĻেāĻļ āϝāĻĻি āĻ…āύেāĻ• āĻŦেāĻļি subsidy āφāϰ tax benefit āĻĻে⧟ āϝাāϤে āϏāϏ্āϤা⧟ āϜিāύিāϏ āĻŦিāĻ•্āϰি āĻ•āϰা āϝা⧟, āϤাāĻ•ে countervailing āĻŦāϞে। āĻŦāϰ্āϤāĻŽাāύ NAFTA’āϰ āϚ্āϝাāĻĒ্āϟাāϰ ⧧⧝ āĻ āĻāϟা āύি⧟ে āωāϞ্āϞেāĻ– āφāĻ›ে; āĻ•াāύাāĻĄা āφāϰ āĻŽেāĻ•্āϏিāĻ•ো āϝাāϤে āĻāχ āĻŦ্āϝাāĻĒাāϰে āĻ•োāύ āϏুāĻŦিāϧা āĻ•āϰāϤে āύা āĻĒাāϰে āϐ āĻŦ্āϝাāĻĒাāϰে āϏিāϏ্āϟেāĻŽāĻ“ āĻ•āϰা āφāĻ›ে

āφāϰেāĻ• āĻ—āϞাāϰ āĻ•াঁāϟা āĻšāϞো āĻ•াāύাāĻĄাāϰ dairy industry। āĻ•াāύাāĻĄা āϏāϰāĻ•াāϰ import quota āĻāĻŦং high tariff āĻĻি⧟ে āϤাāĻĻেāϰ dairy industryāĻ•ে āĻāĻ•āϟু “āĻāĻ•āϘāϰে” āĻ•āϰে āϰাāĻ–āϤে āϚাāϚ্āĻ›ে āϝেāϟা āφāĻŦাāϰ āĻĒ্āϰেāϏিāĻĄেāύ্āϟ āϟ্āϰাāĻŽ্āĻĒেāϰ āĻĒāĻ›āύ্āĻĻ āĻšāϚ্āĻ›েāύা। āĻāϟাāϰ āĻ•াāϰāĻŖ āĻ…āĻŦāĻļ্āϝ āĻ…āύ্āϝ, US āĻāϰ Local dairy industryāχ āĻ­ুāĻ—āϤেāĻ›ে āĻ…āϤি āĻ‰ā§ŽāĻĒাāĻĻāύেāϰ (over production) āĻĒ্āϝাāϰা⧟। US āϚাāχāϤেāϏে āĻ•াāύাāĻĄাāϰ dairy industry āϤে āĻĸুāĻ•ে āύিāϜেāĻĻেāϰ āĻŦোāĻা āĻšাāϞāĻ•া āĻ•āϰāϤে, āϐāĻĻিāĻ•ে āĻ•াāύাāĻĄা āĻ—োঁ āϧāϰে āĻŦāϏে āφāĻ›ে “āĻ…āύেāĻ• āĻ›া⧜ āĻĻিāϏি, āφāϰ āύা”। āφāĻŦাāϰ āĻāχ dairy industry āĻ›া⧜া NAFTAāϰ āĻŦ্āϝাāĻĒাāϰে US-Canada āĻŽিāϞে āϝাāĻ“ā§Ÿাāϰ āφāϰ āĻ•োāύ āωāĻĒা⧟ āφāĻĒাāϤāĻĻৃāώ্āϟিāϤে āύাāχ āĻŽāύে āĻšāϚ্āĻ›ে।  

āφāĻŦাāϰ āĻĢিāϰে āφāϏি auto import āĻ āϟ্āϝাāϰিāĻĢেāϰ āĻŦ্āϝাāĻĒাāϰে। US āϝāĻĻি ⧍ā§Ģ%āĻ“ āϟ্āϝাāϰিāĻĢ āĻĻে⧟ āĻ•াāύাāĻĄা āĻĨেāĻ•ে āφāĻŽāĻĻাāύিāĻ•ৃāϤ āĻ•াāϰেāϰ āωāĻĒāϰ,āĻ•াāύাāĻĄাāϰ āĻ•াāϰ āĻŽ্āϝাāύুāĻĢ্āϝাāĻ•āϚাāϰিং ⧝ā§Ļā§Ļ,ā§Ļā§Ļā§Ļ āχāωāύিāϟ āĻ•āĻŽāĻŦে। āĻāĻĻিāĻ•ে āĻ•াāύাāĻĄা āϏāϰāĻ•াāϰ “āĻ­াāĻŦāϤেāĻ›ে” ā§§ā§Ļ% āĻĒাāϞāϟা āϟ্āϝাāϰিāĻĢ āĻĻিāĻŦে āϏ্āϟিāϞ āĻ“ āφāϞুāĻŽিāύি⧟াāĻŽেāϰ āωāĻĒāϰ; āϝেāϟা āφāϞ্āϟিāĻŽেāϟāϞি trade war āĻāϰ āĻĻিāĻ•ে āϚāϞে āϝাāϚ্āĻ›ে। Toronto-Dominion Bank āĻŦāϞāϤেāĻ›ে, āĻ•াāύাāĻĄা ā§§ā§Ŧā§Ļ,ā§Ļā§Ļā§Ļ āϜāĻŦ āĻšাāϰাāϤে āϝাāϚ্āĻ›ে, āϜিāĻĄিāĻĒি āĻ•āĻŽে āϝেāϤে āĻĒাāϰে ā§Ļ.ā§Š-ā§Ļ.ā§Ģ% । 

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Wednesday, October 10, 2018

āĻĒাāĻŦāϞো āĻāϏ্āĻ•োāĻŦাāϰ, āĻ—āĻŖেāĻļ āĻ—াāχāϤোāύ্āĻĄে āĻāĻŦং āĻšিāύ্āĻĻু āĻŽিāĻĨোāϞāϜি (āĻĒāϰ্āĻŦ-ā§§)

āĻŽেāĻ•্āϏিāĻ•াāύ āĻ•োāĻ•েāχāύ āĻĄিāϞাāϰ āĻĒাāĻŦāϞো āĻāϏ্āĻ•োāĻŦাāϰāĻ•ে āύি⧟ে āĻŦাāύাāύো āύেāϟāĻĢ্āϞিāĻ•্āϏেāϰ āϏিāϰিāϜ “Narcos” āĻĻেāĻ–েāύাāχ āĻāĻŽāύ āĻŽাāύুāώ āĻ–ুāĻŦ āĻ•āĻŽ āφāĻ›ে। āĻŦ্āϰাāϜিāϞি⧟াāύ āĻ…āĻ­িāύেāϤা Wagner Maniçoba de Moura āĻĢাāϟা⧟ āĻĻিāĻ›েāύ āĻāĻ•āĻĻāĻŽ। āĻāϏ্āĻ•োāĻŦাāϰāĻ•ে āύি⧟ে āĻ…āĻŦāĻļ্āϝ āφāϰো āϟিāĻ­ি āϏিāϰিāϜ āĻ“ āĻŽুāĻ­ি āĻŦাāύাāύো āĻšā§ŸেāĻ›ে; āĻ•িāĻ›ুāĻĻিāύেāϰ āĻŽāϧ্āϝে āφāϏāϤেāĻ›ে āĻšাāĻ­ি⧟েāϰ āĻŦাāϰāĻĻেāĻŽ āĻ“ āĻĒেāύেāϞোāĻĒে āĻ•্āϰুāϜেāϰ "Loving Pablo"। āφāĻŽাāϰ āĻŽāϤে āĻāϏ্āĻ•োāĻŦাāϰেāϰ āϰুāĻĨāϞেāϏāύেāϏ āϏāĻŦāϚে āĻ­াāϞāĻ­াāĻŦে āĻĢুāϟি⧟ে āϤুāϞেāĻ›েāύ āĻ•āϞāĻŽ্āĻŦি⧟াāύ āĻ…āĻ­িāύেāϤা AndrÊs Parra, āύেāϟāĻĢ্āϞিāĻ•্āϏেāϰāχ āφāϰেāĻ•āϟা āϏিāϰিāϜ "Pablo Escobar: le patron du mal" āĻ। āĻāĻ›া⧜াāĻ“ "Escobar: Paradise Lost (2014)", "Infiltrator (2015)" āĻŽুāĻ­িāĻ—ুāϞোāϤেāĻ“ āĻāϏ্āĻ•োāĻŦাāϰ āĻ“ āϤাāϰ āϏাāĻĨেāϰ āĻĄ্āϰাāĻ—āϞāϰ্āĻĄāĻĻেāϰ āĻ•াāĻšিāύী āĻĻেāĻ–াāύো āĻšā§ŸেāĻ›ে।

Narcos
Loving Pablo
āĻāĻ–āύ āφāϏি āĻ—āĻŖেāĻļ āĻ—াāχāϤোāύ্āĻĄে āĻĒ্āϰāϏāĻ™্āĻ—ে; āĻāĻŦং āφāĻŦাāϰ āϏেāχ āύেāϟāĻĢ্āϞিāĻ•্āϏ। āĻ•ā§ŸেāĻ• āĻŽাāϏ āφāĻ—ে āĻŦেāϰ āĻšāϞ āύেāϟāĻĢ্āϞিāĻ•্āϏেāϰ āφāϰেāĻ•āϟি āϏিāϰিāϜ "Sacred Games"। āĻāϟা āύি⧟ে āĻŦিāĻ­িāύ্āύ āĻ•্āϰিāϟিāĻ•āĻĻেāϰ āĻ•িāĻ›ু āϞাāχāύ āĻ•োāϟ āĻ•āϰāϤেāĻ›ি- "Sacred Games, the Netflix original series, based on author Vikram Chandra's epic magnum opus,  co-directed by Anurag Kashyap and Vikramaditya Motwane, is a satirical storytelling of religion facade and political filthiness of India. Saif Ali Khan as Sartaj Singh, played a role of honest, low-ranking police officer with dependency on anxiety pills. Nawazuddin Siddiqui as Ganesh Gaitonde, played a role of drug lord with a God-complex." āϏাāχāĻĢ āφāϞি āĻ–াāύ āĻŦāĻšুāϤ āφāωāϞ āĻĢাāωāϞ āĻŽুāĻ­ি āĻ•āϰāĻ›ে āϜীāĻŦāύে, āĻ•িāύ্āϤু āĻāχ āϏিāϰিāϜেāϰ āϜāύ্āϝ āĻ…āύেāĻ• āĻĒāϰিāĻļ্āϰāĻŽ āĻ•āϰāĻ›ে, āĻ“āϜāύ āĻŦা⧜াāχāĻ›ে āĻāĻŦং āφāĻŽাāϰ āĻŽāϤে āĻ“āϰ āϏেāϰা āĻ•াāϜ āĻĻেāĻ–াāχāĻ›ে āϏিāϰিāϜāϟা⧟। āφāϰ āύāĻ“ā§ŸাāϜāωāĻĻ্āĻĻিāύ āϏিāĻĻ্āĻĻিāĻ•িāϰ āĻ•āĻĨা āφāϰ āĻ•ি āĻŦāϞāĻŦো, he does have a midas touch। āĻ…āύুāϰাāĻ— āĻ•āĻļ্āϝāĻĒ āĻ—াāϞাāĻ—াāϞি āĻ›া⧜া āĻŽুāĻ­ি/āϏিāϰিāϜ āĻŦাāύাāύāύা āĻāĻŦং āĻĒুāϰা āϏিāϰিāϜāϟা⧟ āĻ—াāϞাāĻ—াāϞিāĻ•ে āĻāĻ•āϟা āĻļিāϞ্āĻĒেāϰ āĻĒāϰ্āϝা⧟ে āύি⧟ে āĻ—েāĻ›েāύ āϤা āφāϰ āĻŦāϞাāϰ āĻ…āĻĒেāĻ•্āώা āϰাāĻ–েāύা। 

"Sacred Games" āĻāϰ āĻĒāϰ্āĻŦāĻ—ুāϞোāϰ āύাāĻŽ āĻšিāύ্āĻĻু āĻŽিāĻĨোāϞāϜিāϰ āĻ•িāĻ›ু āĻ•্āϝাāϰেāĻ•্āϟাāϰেāϰ āύাāĻŽাāύুāϏাāϰে āĻĻে⧟া। āĻ•্āϝাāϰেāĻ•্āϟাāϰāĻ—ুāϞো āϏāĻŽ্āĻĒāϰ্āĻ•ে āϝāϤāĻĻূāϰ āϏংāĻ•্āώেāĻĒে āϏāĻŽ্āĻ­āĻŦ āϤুāϞে āϧāϰাāϰ āϚেāώ্āϟা āĻ•āϰāĻŦো।

āĻĒāϰ্āĻŦ ā§§ (āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা)
āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা, āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤেāϰ āĻĻুāϟি āĻĒ্āϰāϧাāύ āĻŽāĻšাāĻ•াāĻŦ্āϝেāϰ āĻāĻ•āϟি āĻŽāĻšাāĻ•াāĻŦ্āϝ, āĻŽāĻšাāĻ­াāϰāϤেāϰ (āĻ…āύ্āϝāϟি āϰাāĻŽা⧟āĻŖ) āĻ…āύ্āϝāϤāĻŽ āĻĒ্āϰāϧাāύ āĻāĻ•āϟি āϚāϰিāϤ্āϰ, āϝাāϰ āĻŦাāĻĒ āĻ…āϏ্āϤ্āϰāĻ—ুāϰু āĻĻ্āϰোāĻŖাāϚাāϰ্āϝ, āĻŽা āĻ•ৃāĻĒি। āĻāĻ• āϞাāχāύে āĻŽāĻšাāĻ­াāϰāϤ āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦāϞāϞে āĻāϟা āĻšāϞ āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤেāϰ āĻĻুāχ āĻŦংāĻļ, āĻ•ৌāϰāĻŦ(āĻāύ্āϟাāĻ—āύিāϏ্āϟ) āĻ“ āĻĒাāύ্āĻĄāĻŦāĻĻেāϰ(āĻĒ্āϰোāϟাāĻ—āύিāϏ্āϟ) āĻŽāϧ্āϝে āĻŦিāĻŦাāĻĻ āĻ“ āĻĒāϰে āĻ•ুāϰুāĻ•্āώেāϤ্āϰ āϝুāĻĻ্āϧ āύি⧟ে āĻ•াāĻšিāύী; āϝāĻĻিāĻ“ āĻāχ āĻŽāĻšাāĻ•াāĻŦ্āϝেāϰ āĻ•াāĻšিāύী āĻāϤāχ āĻŦিāϏ্āϤৃāϤ āϝে āϝুāĻĻ্āϧেāϰ āĻ…āύেāĻ• āφāĻ—ে āĻĨেāĻ•ে āĻāϰ āĻ•াāĻšিāύী āĻļুāϰু āĻāĻŦং āĻ…āύেāĻ• āĻĒāϰে āĻļেāώ (āĻ…āĻĨāĻŦা āĻļেāώ āύা!!)। āϤো āĻāχ āĻ•ৌāϰāĻŦ āĻ“ āĻĒাāύ্āĻĄāĻŦāĻĻেāϰ āϝুāĻĻ্āϧāĻŦিāĻĻ্āϝা āĻļিāĻ–ি⧟েāĻ›িāϞেāύ āĻĻ্āϰোāĻŖাāϚাāϰ্āϝ; āϤাāϰ āĻ›েāϞে āĻŦীāϰāϝোāĻĻ্āϧা āĻšāĻŦে āϜাāύা āĻ•āĻĨা। āϤাāϰ āωāĻĒāϰ āĻĻ্āϰোāĻŖাāϚাāϰ্āϝ āϧ্āϝাāύ, āϤāĻĒāϏ্āϝা āĻ•āϰে āĻ›েāϞেāĻ•ে āĻ…āĻŽāϰāϤ্āĻŦ āĻĒাāĻ‡ā§Ÿে āĻĻি⧟েāĻ›িāϞেāύ āĻŦāϞেāĻ“ āϞেāĻ–া āφāĻ›ে।

āϤো āĻāχ āĻŦাāĻĒ āĻ›েāϞে āĻĻুāχāϜāύāχ āĻ•ৌāϰāĻŦāĻĻেāϰ āĻĒāĻ•্āώে āϝুāĻĻ্āϧ āĻ•āϰেāĻ›িāϞ; āϝুāĻĻ্āϧেāϰ āĻāĻ• āĻĒāϰ্āϝা⧟ে āĻ•িāĻ›ুāϟা āĻ…āύ্āϝা⧟āĻ­াāĻŦেāχ āĻĒাāύ্āĻĄāĻŦāϰা āĻĻ্āϰোāĻŖাāϚাāϰ্āϝāĻ•ে āĻšāϤ্āϝা āĻ•āϰে। āĻŦাāĻŦাāϰ āĻšāϤ্āϝাāϰ āĻĒ্āϰāϤিāĻļোāϧ āύিāϤে āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা āϰাāϤেāϰ āĻ…āύ্āϧāĻ•াāϰে āĻĒাঁāϚ āĻĒাāύ্āĻĄāĻŦāĻ•ে (āĻĒাāύ্āĻĄāĻŦāϰা āĻĒাঁāϚ āĻ­াāχ, āφāϰ āĻ•ৌāϰāĻŦāϰা ā§§ā§Ļā§Ļ āĻ­াāχ āφāϰ āĻāĻ• āĻŦোāύ :P)  āĻšāϤ্āϝাāϰ āϜāύ্āϝ āϤাāĻĻেāϰ āφāĻ•্āϰāĻŽāĻŖ āĻ•āϰে, āĻ­ুāϞāĻŦāĻļāϤ āĻĒাঁāϚ āĻ­াāĻ‡ā§Ÿেāϰ āĻĒাঁāϚ āĻ›েāϞেāϰ āĻļিāϰোāϚ্āĻ›েāĻĻ āĻ•āϰে āĻĢেāϞে। āϝাāχ āĻšোāĻ• āϏāύ্āϤাāύāĻĻেāϰ āĻšāϤ্āϝাāϰ āĻĒ্āϰāϤিāĻļোāϧ āύিāϤে āĻĒাঁāϚ āĻĒাāύ্āĻĄāĻŦেāϰ āĻāĻ•āϜāύ, āĻŦীāϰ āĻ…āϰ্āϜুāύ āφāϰ āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽাāϰ āĻŽāϧ্āϝে āϝুāĻĻ্āϧ āĻšā§Ÿ। āĻšিāύ্āĻĻু āĻĒুāϰাāĻŖ āĻŦা āĻŽāĻšাāĻ•াāĻŦ্āϝāĻ—ুāϞোāϤে āϝেāϏāĻŦ āĻŦীāϰāϝোāĻĻ্āϧাāĻĻেāϰ āĻ•āĻĨা āϞেāĻ–া āφāĻ›ে āϤাāĻĻেāϰ āϏāĻŦাāϰ āĻ•াāĻ›েāχ āĻ•িāĻ›ু āĻĄেāĻĄāϞি āĻ…āϏ্āϤ্āϰ āĻ›িāϞো āĻŦāϞে āωāϞ্āϞেāĻ– āφāĻ›ে। āĻāχ āϝেāĻŽāύ āĻ…āϰ্āϜুāύেāϰ āĻ•াāĻ›ে āĻ›িāϞ āĻŦ্āϰāĻš্āĻŽাāϏ্āϤ্āϰ, āĻĒাāĻļুāĻĒাāϤ āĻ…āϏ্āϤ্āϰ āχāϤ্āϝাāĻĻি; āĻāĻ—ুāϞাāϰ āϝেāĻ•োāύ āĻāĻ•āϟা āĻŽাāϰāϞে āĻ•াāĻšিāύী āĻ–āϤāĻŽ। āφāϰ āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽাāϰ āĻ•াāĻ›ে āĻ›িāϞ āύাāϰা⧟āĻŖ āĻ…āϏ্āϤ্āϰ, āϝেāϟা āĻ•োāύ āĻŦংāĻļেāϰ āωāĻĻ্āĻĻেāĻļ্āϝে āĻŽাāϰāϞে āϐ āĻŦংāĻļ āĻāĻ•āĻŦাāϰে āĻļেāώ।  

āϝুāĻĻ্āϧেāϰ āĻŽāϧ্āϝে āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽাāϰ āĻ•ি āĻŽāύে āĻšāχāĻ›ে, āĻŽাāϰāĻ›ে āύাāϰা⧟āĻŖ āĻ…āϏ্āϤ্āϰ āĻ›ুāĻ‡ā§œা, āĻ…āϰ্āϜুāύ āĻŦেāϚাāϰা āĻ•িāĻ›ু āύা āĻĒাāĻ‡ā§Ÿা āĻĒাāĻļুāĻĒাāϤ āĻŽাāϰāϞো। āĻĻুāύি⧟াāϰ āĻ…āĻŦāϏ্āĻĨা āĻ–াāϰাāĻĒ āĻĻেāχāĻ–া āĻ•ৃāώ্āĻŖ āφāχāϏা āϤাāĻĻেāϰāĻ•ে āĻĨাāĻŽাāύ। āĻ…āϰ্āϜুāύ āϤাāϰ āĻ…āϏ্āϤ্āϰ āĻĢিāϰা⧟ āύিāϞেāĻ“ āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽাāϤো āφāϰেāĻ• āĻŽাāϞ; āĻ…āϏ্āϤ্āϰ āύাāĻ•ি āϏে āĻĢিāϰাāχāϤে āĻļিāĻ–েāύাāχ। āĻ…āĻŦāϏ্āĻĨা āĻŦেāĻ—āϤিāĻ• āĻĻেāĻ–ে āĻ•ৃāώ্āĻŖ āϤাāĻ•ে āĻŦāϞেāύ āĻāĻ•āϟা āϟাāϰ্āĻ—েāϟ āωāĻĻ্āĻĻেāĻļ্āϝ āĻ•āϰে āĻĒাāĻ াāχāϤে (āϤীāϰ āĻ›ুāĻ‡ā§œা āĻāϤ āĻ•āĻĨা āĻ•েāĻŽ্āύে āĻŦāϞে āϜাāύিāύা!!)।āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা āĻ…āϰ্āϜুāύেāϰ āĻ›েāϞে āĻ…āĻ­িāĻŽুāύ্āϝāϰ(āϝুāĻĻ্āϧে āĻŽাāϰা āϝা⧟ āϏে) āĻŦāω āωāϤ্āϤāϰাāϰ āĻ—āϰ্āĻ­ে āĻĨাāĻ•া āϏāύ্āϤাāύেāϰ āωāĻĻ্āĻĻেāĻļ্āϝে āĻ…āϏ্āϤ্āϰ āĻĒাāĻ ি⧟ে āĻĻে⧟ āϝাāϤে āĻĒাāύ্āĻĄāĻŦāϰা āĻāĻ•েāĻŦাāϰে āύিāϰ্āĻŦংāĻļ āĻšā§Ÿে āϝা⧟। āĻĒāϰে āĻ•ৃāώ্āĻŖেāϰ āφāĻļীāϰ্āĻŦাāĻĻে āĻ…āĻŦāĻļ্āϝ āϏেāχ āĻŦাāϚ্āϚা āĻ­াāϞāĻ­াāĻŦেāχ āϜāύ্āĻŽ āύে⧟।

āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽাāϰ āĻāϰāĻ•āĻŽ āύিāώ্āĻ ুāϰāϤা āĻĻেāĻ–ে āĻ•ৃāώ্āĻŖ āϤাāĻ•ে āĻ…āĻ­িāĻļাāĻĒ āĻĻেāύ āϝে āϏে āϝে āĻ…āĻŽāϰāϤ্āĻŦ āĻĒে⧟েāĻ›িāϞো āϏেāϟা āĻ…āĻ­িāĻļাāĻĒ āĻšāĻŦে āϤাāϰ āϜāύ্āϝ; āĻĒৃāĻĨিāĻŦী āϧāĻŦংāϏ āĻĒāϰ্āϝāύ্āϤ āϏে āĻŦেঁāϚে āĻĨাāĻ•āĻŦে āĻāĻŦং āϝāϤāĻ­াāĻŦে āĻ­োāĻ—া āϏāĻŽ্āĻ­āĻŦ āĻ­ুāĻ—āĻŦে। āϤাāϰ āĻŽাāύে āĻāĻ–āύো āϤাāϰ āĻŦেঁāϚে āĻĨাāĻ•াāϰ āĻ•āĻĨা। āĻāĻ•āĻĻāĻŽ āϏ্āĻĒেāϏিāĻĢিāĻ• āĻĒ্āϰāĻŽাāĻŖ āĻĒাāĻ“ā§Ÿা āύা āĻ—েāϞেāĻ“ āĻ­াāϰāϤেāϰ āĻ•োāύ āĻāĻ• āĻ—্āϰাāĻŽে āφāϏিāϰāϘāϰ āĻĻুāϰ্āĻ—ে āĻŽোāϟাāĻŽুāϟি ā§§ā§Ļ-⧧⧍ āĻĢুāϟ āϞāĻŽ্āĻŦা āĻāĻ•āϜāύāĻ•ে āύাāĻ•ি āĻĻেāĻ–া āĻ—েāĻ›ে; āϝāĻĻিāĻ“ āφāĻ—েāχ āĻŦāϞāĻ›ি āĻ­াāϞ āĻ•োāύ āĻĒ্āϰāĻŽাāĻŖ āύাāχ।
āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা 
āϤো āϝা āĻŦুāĻাāύোāϰ āϜāύ্āϝ āĻāϤ āĻ•িāĻ›ু āĻŦāϞা āϏেāχ "Sacred Games" āĻ āĻĢিāϰে āφāϏি āĻāĻ–āύ। āĻ—āĻŖেāĻļ āĻāĻ•āύাāĻĨ āĻ—াāχāϤোāύ্āĻĄে (āύāĻ“ā§ŸাāϜāωāĻĻ্āĻĻিāύ āϏিāĻĻ্āĻĻিāĻ•ী) āĻāĻĒিāϏোāĻĄ āĻ“ā§Ÿাāύেāϰ āĻļেāώে āϏুāχāϏাāχāĻĄ āĻ•āϰাāϰ āĻĒāϰāĻ“ āϏে āϤাāϰ āϜীāĻŦāύāĻ—āϞ্āĻĒে āĻ…āĻŽāϰ āĻšā§Ÿে āϝা⧟। Not only was he alive in the beginning after most people he cared about died, his voice was omnipresent in the remainder of the season-making him immortal। āĻāχ āĻ—āϞ্āĻĒে āĻ—াāχāϤোāύ্āĻĄেāχ āĻ…āĻļ্āĻŦāϤ্āĻĨাāĻŽা। āϏ্āϤ্āϰীāϰ āĻŽৃāϤ্āϝুāϰ āĻĒ্āϰāϤিāĻļোāϧ āύিāϤে āϏে āĻāĻ•āϰাāϤেāχ ā§Žā§Ļ āϜāύ āĻŽুāϏāϞāĻŽাāύāĻ•ে āĻšāϤ্āϝা āĻ•āϰে। āĻāĻĒিāϏোāĻĄ āφāϟেāϰ (⧟⧟াāϤি) āĻļেāώে āϤাāĻ•ে āĻĒ্āϰāϚুāϰ āϟāϰ্āϚাāϰ āĻ•āϰা āĻšāϞেāĻ“ āϏে āϜীāĻŦিāϤ āĻĨাāĻ•ে āϤাāϰ āĻ•ৃāϤ āĻ•āϰ্āĻŽেāϰ āĻ…āĻ­িāĻļাāĻĒে।
Sacred Games

(āϚāϞāĻŦে)

Friday, October 5, 2018

Zero-sum Economy and Productivity Paradox

āύৃāϤāϤ্āϤ্āĻŦāĻŦিāĻĻ David Graeber āĻŦāϞেāĻ›িāϞেāύ, āφāĻŽāϰা āφāĻŽাāĻĻেāϰ āĻ•াāϜেāϰ ā§Šā§Ļ% āĻ…āύেāĻ•āϟা āϞোāĻ• āĻĻেāĻ–াāύো āĻ…āĻĨāĻŦা āĻ…āύ্āϝāϜāύেāϰ āϏাāĻĨে āĻĒ্āϰāϤিāϝোāĻ—িāϤা āĻ…āĻĨāĻŦা āĻāĻ•āϟা āϏ্āϟ্āϝাāϟাāϏ āĻŦা fake image āĻŦāϜা⧟ āϰাāĻ–াāϰ āϜāύ্āϝ āĻ•āϰি। āϤিāύি āĻāĻ—ুāϞোāĻ•ে āĻŦāϞেāĻ›িāϞেāύ, “Bullsh*t Jobs”। āφāϰো āĻ•িāĻ›ু āĻ•াāϜ āĻĨাāĻ•ে āϏ্āϰেāĻĢ Hierarchy āĻāĻŦং Protocol āĻŽাāύাāϰ āϜāύ্āϝ āϏāĻŽā§ŸāĻ•্āώেāĻĒāĻŖ āĻ•āϰা āĻšā§Ÿ, āϏāϰāĻ•াāϰি āĻ•āϰ্āĻŽāϜীāĻŦিāϰা āϝা āĻšা⧜ে āĻšা⧜ে āϟেāϰ āĻĒাāύ āϏāĻŦāϚে⧟ে āĻŦেāĻļী।

āĻŦৈāĻļ্āĻŦিāĻ• āĻ…āϰ্āĻĨāύীāϤিāϤে “Automation” āϝেāĻŽāύ āĻ…āύেāĻ• āĻ—ুāϰুāϤ্āĻŦেāϰ āϏাāĻĨে āĻĻেāĻ–া āĻšāϚ্āĻ›ে āϤেāĻŽāύি āĻĻেāĻ–া āĻšāϚ্āĻ›ে āĻšুāĻŽāĻ•ি āĻšিāϏেāĻŦেāĻ“। āϚাāĻ•āϰি āĻ–ে⧟ে āĻĻে⧟াāϰ āϭ⧟āϤো āφāĻ›েāχ, āφāĻ— āĻŦা⧜ি⧟ে āĻ…āύেāĻ•েāχ āĻŦāϞে āĻĻিāϚ্āĻ›েāύ “Robots will kill us.”। āφāĻŽাāĻĻেāϰ āĻĻেāĻļেāĻ“ āĻāϤāĻĻূāϰ āϝাāĻ“ā§Ÿা āĻšāϚ্āĻ›েāύা, āĻšাāϜাāϰ āĻšোāĻ• āφāĻŽāϰা āĻļাāύ্āϤিāĻĒ্āϰি⧟ āϜাāϤি । āĻĻেāĻļেāϰ āĻ…āύেāĻ• āĻ•োāĻŽ্āĻĒাāύিāϤেāχ “Automation” āĻŦāϞāϤে MS Excel Dashboard preparationāχ āĻŦোāĻা⧟। āϤāĻŦে āĻŦৈāĻļ্āĻŦিāĻ• āĻ…āĻŦāϏ্āĻĨা āĻŦিāĻŦেāϚāύা⧟ āĻŦিāĻļেāώ āĻ•āϰে Financial Services āĻ•োāĻŽ্āĻĒাāύিāĻ—ুāϞোāϤে data entry āĻāĻŦং primary level business analysis āĻāϰ āϚাāĻ•āϰিāĻ—ুāϞো “Automation” āĻāϰ āĻšুāĻŽāĻ•িāϤে āϰ⧟েāĻ›ে āĻŦāϞāϤেāχ āĻšā§Ÿ।

Automation, Automation āĻ•āϰে āĻšৈ-āĻšৈ āϰāĻŦ āĻĢেāϞāϞেāĻ“ āϝাāϰ āϜāύ্āϝ āĻāϤ āĻ•িāĻ›ু āϏেāχ Productivity Growth āφāϰ āĻšāϞো āĻ•āχ? International Monetary Fund (IMF) āĻāϰ āϰিāĻĒোāϰ্āϟে āĻĻেāĻ–াāύো āĻšā§ŸেāĻ›ে, Global Financial Crisis āĻāϰ āĻĒāϰ āĻŦিāĻļ্āĻŦেāϰ āωāύ্āύāϤ āĻĻেāĻļāĻ—ুāϞোāχ āĻ•েāĻŦāϞ āĻ•িāĻ›ুāϟা Productivity Growth āĻāϰ āϏুāĻĢāϞ āĻĒে⧟েāĻ›ে; āωāύ্āύ⧟āύāĻļীāϞ āĻāĻŦং āϏ্āĻŦāϞ্āĻĒোāύ্āύāϤ āĻĻেāĻļāĻ—ুāϞোāϰ āĻ•্āώেāϤ্āϰে āϝেāϟি āύিāĻŽ্āύāĻŽুāĻ–ী।



āĻāĻ•্āώেāϤ্āϰে Chief Economist of Bank of England Andrew Haldane āĻŦāϞেāύ, āϏāĻŦ āĻĻেāĻļে āϏāĻŦ āĻ•োāĻŽ্āĻĒাāύি āĻāĻ•āϏাāĻĨে āĻāχ āϏুāϝোāĻ— āύিāϤে āĻĒাāϰেāύা, āĻāĻŽāύāĻ•ি āĻāĻ•āχ āĻĻেāĻļেāϰ āĻāĻ•āχ Industryāϰ āĻ•োāĻŽ্āĻĒাāύিāĻ“ āύা। Mr. Haldane dispersion āĻāϰ āĻĻোāĻšাāχ āĻĻি⧟ে āĻĒাāϰ āĻĒেāϞেāĻ“ David Graeber āĻāϰ “Bullsh*t Job” theoryāχ āϝেāύ āĻŦেāĻļি āĻ–াāϟে āĻāĻ–াāύে। āϤাāϰ āĻŽāϤে āĻļেāώ āĻ•āĻĨা āĻāϟাāχ āϝে, āĻāϰে āĻĒ⧜া āĻ•āϰ্āĻŽāϜীāĻŦিāϰা āĻļেāώ āĻĒāϰ্āϝāύ্āϤ Bullsh*t Job āĻ•āϰāϤে āĻŦাāϧ্āϝ āĻšā§Ÿ।

āĻ•াāϜেāϰ āĻ•āϤ āĻĒāϰিāĻŽাāĻŖ āĻĢাāϞāϤু āϤাāϰāϚে āĻŦ⧜ āĻšুāĻŽāĻ•ি āĻšā§Ÿে āĻĻাঁ⧜ি⧟েāĻ›ে “Zero Sum Function”। āϧāϰেāύ āφāĻĒāύি āĻāĻ•āϟা Brand X āύি⧟ে āĻ…āύেāĻ• āφāĻļাāĻŦাāĻĻী , āĻāϟাāĻ•ে āĻĒ্āϰāϤিāώ্āĻ িāϤ āĻ•āϰāϤে āϚাāύ। āφāĻĒāύি āĻļ্āϰāĻŽ āĻĻিāϞেāύ, āϏāĻĢāϞ āĻšāϞেāύ। āφāϰেāĻ•āϜāύেāϰ Brand X āĻāĻŦং Y āĻāϰ āϝেāĻ•োāύ āĻāĻ•āϟা āĻŦাāϜাāϰে āĻĻা⧜া āĻ•āϰাāύোāϰ āωāĻĒা⧟ āĻ›িāϞো, āϏে Brand X āĻŦাāĻ›াāχ āĻ•āϰāϞো Y āĻŦাāĻĻ āĻĻি⧟ে। Brand X āĻĨেāĻ•ে āϏে āϝা āϚাāĻ“ā§Ÿাāϰ āϤা āĻĒেāϞোāύা; Brand Y āĻāϰ opportunity cost āϤো āφāĻ›েāχ āĻāĻŦং āφāϰেāĻ•āϟি Brand Y āĻŦাāϜাāϰে āĻĻাঁ⧜াāύোāϰ āϏāĻŽ্āĻ­াāĻŦāύা āĻļেāώ āĻšā§Ÿে āĻ—েāϞো। āĻŦ্āϝāϏ āĻĻ্āĻŦিāϤী⧟āϜāύ āĻĒ⧜ে āĻ—েāϞেāύ Zero Sum Function āĻāϰ āĻĢাঁāĻĻে।

āϤো āφāĻŽāϰা āϝāĻĻি āφāĻŽাāĻĻেāϰ āϏāĻŦ āĻ•াāϜ automate āĻ•āϰেāĻ“ āĻĢেāϞি, āĻĒ্āϰāĻĨāĻŽāϤ āφāĻŽাāĻĻেāϰ āĻ…āĻŦāϏāϰ āϏāĻŽā§Ÿ āĻ…āύেāĻ• āĻŦা⧜āĻŦে āĻ িāĻ•ি, āĻ•িāύ্āϤু āϏে āϏāĻŽā§Ÿেāϰ āĻ•āϤāϟুāĻ•ু āφāĻŽāϰা āĻĒুāϰাāĻĒুāϰি productivity growth āĻ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāϤে āĻĒাāϰāĻŦো āϏেāϟা āĻĒ্āϰāĻļ্āύāϏাāĻĒেāĻ•্āώ। Human nature āĻāϰ āϧāϰāĻŖে āϝেāϟা āĻšāĻ“ā§Ÿাāϰ āϏāĻŽ্āĻ­াāĻŦāύা āĻŦেāĻļি āϤা āĻšāϞো āφāĻŽাāĻĻেāϰ zero sum activities āĻ…āύেāĻ• āĻŦে⧜ে āϝাāĻŦে।

So, Robots will not kill us, we will kill us.